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Autumn at RHS Harlow Carr – Part One

We visit the RHS garden, Harlow Carr situated just outside Harrogate, at least once each year. We do this simply because we love the place whatever time of year and whatever the weather. On our latest visit we wanted to see it in the autumn.

As soon as we arrived we realised there were a few things going on to celebrate the autumn. In the entrance foyer there were clues that a Willow Trail had been set out for children to follow.

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Beautiful pure white stems of Betulas welcomed us into the garden.

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Recent high winds had stripped the leaves off many of the trees so on this visit it looked as if we were not going to be seeing much of the autumnal hues we thought we were going to enjoy. The garden was already showing signs of winter. Long views across the gardens afforded us views of tree skeletons combined with just a few orange leaved shrubs and the deeper greens of the conifers.

 

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The Winter Garden soon proved itself to be a brilliant place in the autumn too. Berries gave the strongest colours closely followed by the remnant leaves of shrubs.

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The whisps of the ornamental grasses appeared white at first glance but close up we realised they were the subtlest of biscuit shades.

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There were still plenty of surprises to be found including the bright colours of late flowers in the perennial meadows.

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As the days get shorter more and more of these perennials dry to shades of biscuit, ginger and brown.

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This little corner was probably my favourite part of the garden with the slender trees showing off their coloured trunks and the shrubs beneath them displaying brightly coloured stems.

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Although still late autumn when we visited some of the scents of winter were already pervading the air. The pink flowered Viburnums emitted the strongest scent of all.2014 10 31_6868

In part two of our visit to Harlow Carr we will explain what else this exceptional all-season garden had to offer us.

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autumn autumn colours climbing plants colours garden design garden designers garden photography gardening gardens gardens open to the public grasses hardy perennials Italian style gardens light light quality ornamental grasses ornamental trees and shrubs outdoor sculpture Piet Oudolf sculpture Staffordshire Tom Stuart-Smith trees

A Garden in October/November – Trentham

We have now reached the penultimate posting in this series where we have been looking at how Trentham Gardens in Staffordshire have changed through the months during 2014. Since our last visit in September Autumn has taken a strong grip on the gardens. Many leaves have taken on their auutmn hues and many have fallen. But it is amazing how much colour there still is to enjoy, colours in late flowers, dried stems and seed heads.

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We always cross over the gently arching suspension footbridge over the River Trent full of anticipation. On our visit in early November we were presented with a sea of yellows, where Piet Oudolf’s River of Grasses had been transformed by the passage of time into a river of liquid gold.

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We wandered along the gravel path as it cut through the line of River Birch, Betula nigra in search of Oudolf’s prairie borders. These beautiful trees had already shed all their leaves but still drew our eyes as their bark was peeling and curling decoratively away from their trunks.

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Once in amongst the prairie planting we immediately noticed that seed heads in every hue of brown and beige and bright patches of late colour had joined the lemons, mustards and golds of the grasses. Pale purples glowed in the dull light of autumn. This glow is their secret weapon to attract moths and other night flying pollinators.

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The gardening team were hard at working replanting a section of one of the borders. It must be a never ending task. I suppose it gives them the chance to keep improving things as well as keeping the gardens in top condition.

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Deep pinks and cerise of the Persicarias and the Knautias catch the eye of every visitor. They look so good against the neutral shades that dominate gardens in the autumn.

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This lovely old Tulip Tree caught our attention. It is the oldest of its kind we have ever seen and a notice close by warned of the danger of falling branches. It must be susceptible to winter storms but should it fall it would make a wonderful natural bridge over the Trent. The dome of Hornbeam over a bench is now a golden dome.

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We made our way towards the formally planted Italian Parterre Garden, passing through an archway of Hornbeams on the way. Sunlight penetrated the coniferous plantings casting long shadows and creating bright patches. It lit up the little low box hedges of the  knot garden.

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The summer bedding in the parterre has been consigned to the compost heaps and winter/spring plants has taken their place, primulas and a deep red Bellis perennis.

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We always enjoy our first look out over the Tom Stuart-Smith gardens. We were not to be disappointed today.

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The autumn light emphasised the texture on this bronze sculpture and on the much newer tunnel archway which marks the way into the display gardens. It gave an all new look to the low slate walls around one of these gardens too. It again emphasised the texture but brought out extra colours too. The light similarly added colour to the plants and to the glass panels featured in another of the display gardens.

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A wander back through the Stuart-Smith gardens gave us the chance to see the planting in a different light. As the afternoon had progressed the sun dropped down lower and was back-lighting the plants, giving a very different perspective.

 

 

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The Rose Walk was still remarkably colourful with Roses, Cleomes and Verbena bonariensis still putting on strong performances. Butterflies and bees were still busy here too, the blooms having attracted them as they emerged hunting for sustenance as the temperatures rose slightly in the afternoon sunlight. You can see our long shadows cast across the border.

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From the long metal pergola we looked back over the Oudolf gardens and at the shrubs nearby and the butter yellow leaves of the Wisteria climbing over the framework.

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Now we can look forward to our final visit to Trentham for this year in readiness to publish the final episode in this series of posts. So far we have determined that gardens at Trentham are worthy of a visit any month of the year. Let us hope our December visit confirms it.

 

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Post 500 – Part Two – a further visit to the “Oudolf Field”

As promised I am returning to the beautiful county of Somerset where Jude and I spent a day exploring the exciting new “Oudolf Field” and the gallery buildings at the Hauser and Wirth’s Durslade Farm.

We left off as we were looking at the pool and giant clock. This is the first time we have seen any water designed into an Oudolf designed garden and indeed the first one to include a giant clock. The pool afforded clear reflections of the trees surrounding the site and was only planted around the margin closest to the buildings to give the maximum area of reflecting water.

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The tall clock towers over the pool and its white face stands out against the brightness of the blue sky. I would imagine it would look great against black clouds too! It casts a beautiful lollipop shadow across the golden gravel. Its face looks like a big circular disc but it is in reality asymmetric in design, which causes the minute hand to move out into clear air as it moves into the narrow side.

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Although the planting is lower than in his previous gardens Piet Oudolf still uses many of his favourite plants such as Sanguisorbas, Echinaceas, Verbenas and Heleniums.

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We had a break for coffee and to look around the galleries before wandering the gardens again as the sun dropped slowly in the sky and the light gave the meadows a fresh look.

We were enthralled by a gallery where a display of Oudolf’s garden designs helps reveal how this garden designer’s mind works. We loved the designs and working drawings and “idea jottings” of this garden here in Somerset as well as those from the New York High Line and the Wisley Garden.

Moving from gallery to gallery each courtyard space is softened by more of Oudolf’s plantings, featuring trees underplanted with grasses and perennials. The sculptural pieces sit comfortably among the old farm buildings with their richly textured surfaces.

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Enjoy the gallery of photos taken in the sparkling late afternoon light. It is amazing how different plantings can look as the light changes within just a few hours at this time of year.

The next post in my 500 Celebration series will find us over in Hertfordshire where Tom Stuart-Smith lives. We had the privilege of visiting his own garden and the one he designed for his sister.

 

 

 

 

 

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Post 500! A look at two garden designers.

To celebrate reaching 500 posts in my Greenbenchramblings adventures I thought I would create a week of posts about my favourite garden designers, Piet Oudolf and Tom Stuart-Smith. I have featured examples of their gardens several times already but these are special gardens. The Piet Oudolf garden here is his latest creation in Somerset and the Tom Stuart-Smith gardens are his own garden and the one he designed for his sister who lives just yards away.

The garden, called the Oudolf Field sits within the grounds of the Hauser and Wirth Gallery in the Somerset village of Bruton. This 1.5 acre garden was only planted this year so we visited in its very early stages. The garden is better described as a perennial meadow than his usual tall prairie. The plants are generally shorter so that more of each border and the garden as a whole can be seen at one go. The meadow is designed to feel soft and loose and the style is reflected in smaller gardens all around the farm buildings. Unusually for his gardens he has included a pool here.

So let’s start on our tour beginning as we leave the restaurant in the old renovated farm buildings. A grassed area with widely spaced trees contains unusual seats in which to relax and view the garden, sit and enjoy a coffee or read a book. These “Eye Benches” are made from black Zimbabwe granite.

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The meadow style borders themselves contain over 26 000 plants and winding paths invite the visitor to view each border from all different angles. Unusually for Oudolf he has designed most of the planting to be low enough to look over it and view most of the garden. Jude the Undergardener is unconvinced by this as it all seemed so low and I have to agree to an extent. I much prefer his taller plantings but time will tell. After all this garden is just a few months old.

Come for a wander and see the “field” through the lens of my camera. Just click on a shot and follow the arrows to navigate.

A giant clock is visible from every part of the garden. It towers over the pool. I shall continue my tour of Oudolf’s new garden and the buildings that it adorns in the next part of this 500 post celebration week.

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autumn autumn colours colours fruit and veg garden design garden designers garden photography gardening gardens gardens open to the public grasses hardy perennials Italian style gardens light light quality meadows ornamental grasses ornamental trees and shrubs photography Piet Oudolf shrubs Staffordshire Tom Stuart-Smith trees

A garden in September – Trentham

So here we are back for the September visit to the wonderful gardens at Trentham. We arrived in bright sunshine which was a big change to the usual weather on our visits here. Usually we get wet but today looked set fair with blue sky with just a scattering of white clouds. As we walked over the bridge into the gardens we looked down into the River Trent below to see it swollen with floodwater and carrying much dirt in its wake. The water of the Trent flowed brown and the grasses of Piet Oudolf’s River of Grasses refleced this colour.

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Moving into Oudolf’s Prairie there was much more variety in the colours although grasses remained powerful elements. The tall herbaceous perennials were showing deepening colours as autumn approaches. Rich rubies, purples and blues were, in places, lit up by the crisp white of the Seleniums and sunny yellows of Solidago.

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Leaving the subtle but at the same time exciting Prairie we wandered off towards the Italian Garden with its traditional style of planting. We passed through a Hornbeam tunnel where the autumnal light played with shadows. Leaving its coolness our eyes were assaulted by Begonias and brightly leaved bananas.

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We always look forward to our first glimpse of the delights that await us in Tom Stuart-Smith’s Italianate parterres. Looking from the balustrade the view spread out below in the geometric beds promised so much of interest, while a quick glance below showed bursts of red Dahlias and yellow Rudbeckias.

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Once down among the many beds we soon discovered just what flowers were giving us the colourful sights.

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These colours were enriched all the more by the russets and chocolates of the grasses and seed heads of perennials such as Phlomis and Verbascums.

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We reluctantly left the Tom S-S plantings behind us and ambled off through the tall trees of the old parkland towards the display gardens. We glanced at the early autumn colours of Prunus trees between the silver bark of the trunks of Betula. Some Betula trunks were showing their great age and their textures contrasted strongly with their younger smoother neighbours.

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Rhus trees were showing deep orange foliage which matched the petals of a lovely Dahlia.

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Elsewhere another Rhus partnered a red leaved Cotinus. Coloured glass leaves atop silver stems added more colour close by.

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White and purple spires of Actaea caught the light.

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In the Allotment Garden orange globes of pumpkins were drying in the sun and heat of this Indian Summer.

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After a light lunch we made our way towards the Rose Walk to see how things had changed since our visit last month. We passed back through some of the Tom S-S borders where we were drawn for a closer look towards the long thin seed pods of Amsonias.

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Seedheads and dying flower heads of many different perennials and grasses were so enthralling that our walk back through these borders took rather longer than anticipated.

 

 

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A long line of thin rectangular borders designed by Piet Oudolf act as a link between the Tom S-S garden and the Rose Walk. Here colour abounded.

 

 

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In the Rose Walk itself most rose bushes were still in flower and tall flowers such as Cleome and Verbena bonariensis added even more colour.

 

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We enjoyed the views from the Rose Walk back towards Oudolf’s Prairie and River of Grasses. We could also see the shrubs growing alongside it including a spectacular deciduous Euonymous with orange and red fruits.

 

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So this Indian Summer we are enjoying provided us with great light to view the gardens at Trentham but the strange seasons mean that many perennials and grasses were far more autumnal than we could have expected. Next month’s return to Trentham may well show Trentham to be well in the grip of Autumn.

 

 

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Are you sitting comfortably? Part 3 in this very occasional series.

So back again with another set of photographs showing the latest batch of garden seats I have enjoyed finding and sitting on. I have tried them all out purely in the name of research not because I am a weary garden visitor! And of course Jude the Undergardener has checked them all too. You will see in the one photo that she particularly likes trying out seats in gardens where tea and cakes are available! The first group of seats, including the one in the tea garden are high up in the Welsh hills in the NGS garden at Bryn Lidiart.

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In our neighbouring county of Herefordshire the gardens at Bryan’s Ground the home of the best gardening journal, Hortus, there are seats aplenty. Around the arboretum the seats give plenty of opportunities to take in the calm, restful atmosphere.

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Others dotted around the various garden compartments afford the visitor secluded viewing places.

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But we would have been in for some surprises if we had tried to sit on this collection!

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The final photo from this interesting Herefordshire garden is taken from a seat rather than of one. In the cafe area here you can enjoy tea and home made cakes while browsing through back issues of Hortus. Luxury!

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I shall conclude this the third in my very occasional series on garden seating with a very varied selection from other gardens we have visited this year.

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Who knows what part four will bring and who knows how long it will be in coming.

 

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Scented Pelargoniums

When we visited the wonderful Herefordshire garden, Hergest Croft, we entered the garden by taking a route that took us through an old conservatory to find it full of one of our favourite families of plants, the scented Pelargoniums.

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We have a small collection at home which we display on a set of old library steps at the side of the woodstore so that we can rub their leaves as we collect logs or as we pass to go to the back garden.

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The collection at Hergest Croft was much bigger and more varied. It took a long time to rub a leaf of each and savour the scents reminiscent of mints and fruits. But there was great variety in the texture of the leaves too, from the softest velvet, through soft and waxy to rough and coarse.

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These two were so heavily scented and their leaves so textured it hardly mattered that they had such insignificant blooms.

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There were a few Pelargoniums which were from a different family, I think they are Regals but I can’t be sure. The dark flowered one is “Lord Bute”. We were fascinated by the one pink petal on the one flower of the white bloom presumably caused by a virus. A great collection and a most welcoming start to a garden visit. We left the conservatory to discover the delights of Hergest Croft especially its rare and champion trees.

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Cliveden – the house and garden of Nancy Astor

While holidaying around Cambridge earlier in the year we stopped off on our travels to have a wander around the gardens at Cliveden, the one time home of Nancy Astor. She was an English MP even though American born. Her second marriage was to Waldorf Astor who inherited to a peerage and entered the House of Lords. Nancy was the first ever woman to be a member of the House of Commons, but also gained notoriety as a Nazi supporter.

Her garden turned out to be a garden planted in a style we do not actually like but definitely “of its time”. We are definitely not fans of formal gardens or bedding schemes and here we found both but viewed from an historic perspective they were interesting. Classical figures, topiary and “grand fountains” are also not my style but Jude the Undergardener, being more of a history buff doesn’t mind them.

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Interestingly close up the bedding proved to be of orange gazanias rather than the begonias or pelargoniums we expected.

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But bordering the bedding scheme central feature was a long mixed border, much more to my liking.

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Things were looking up soon however as we passed through an opening in the yew hedging and discovered a tree unknown to me in the woodland.

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Little areas of meadow lined the pathway down through the woodlands. Gnarled branches of old shrubs curled around on the grass near the paths.

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The old rose garden has been revamped recently with newer more disease resistant varieties, so inevitably most are from David Austin. The colours of the blooms have been chosen to represent sunrise and sunset.

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The buildings clustered in the centre of the grounds were rambling and sat beautifully within its setting. In particular it had interesting chimneys and towers which look good against the clear blue sky. Towers even featured in the walled garden.

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The walled garden, with its patterned brickwork, featured beautifully planted herbaceous borders around a highly manicured lawn. The plants were mainly recent cultivars and chosen for their richness of colour.

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From the courtyard as we leaned on its stone ballustrade we could see the Italianate parterre placed within more manicured lawns. They seemed to sit rather awkwardly there.

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We finished our Cliveden wanderings in the Water Gardens where formal fountains and oriental buildings sit among informal pools and soft planting.

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Portmeiron – the work of an eccentric.

We always enjoy spending the day at this crazy, quirky and totally exuberant “garden” on the Welsh coast near Portmadoc. Portmeiron is a village and gardens created by the eccentric Clough William-Ellis who bought the site in 1925 and then spent the following 50 years developing it into what we can visit and enjoy today.

The village is a collection of buildings  reminiscent of an Italianate style. Every wall is brightly painted in an array of extravagant colours. Some are hotels or holiday cottages, others restaurants and cafes while others are shops and galleries. It is a busy little place sitting on a strip of land below the Lleyn Penninsula and it fits snuggly between the beach and a wooded slope.

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In between the collection of crazy buildings a team  of gardeners work hard to maintain patches of colourful gardens. The soil is both shallow and full of stones and the land is on a steep slope so gardening here is a tough challenge. So come through the towering gateway and wander around with us.

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Although the Italianate style of the buildings that fascinates at first glance after a while the interesting juxtaposition of colours begins to catch the eye. Colours that you would not think of putting together when choosing paint for your home actually work beautifully.

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Although the bright colours dominate every scene once your eyes and mind adjust to them interesting details come to the fore, such as these bright blue ironwork, a relief sculpture alongside a ring, classical figures, the beauty of this stone archway and the vintage petrol pump.

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We took a break from the colourful conglomeration of buildings and ambled along through the wooded slopes above the village itself. Here we discovered ancient trees native and cultivated and an atmosphere of peace, with restful greens and relative silence, broken only by the calls and song of birds.

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We followed the woodland path until we found ourselves close to the cliff tops and followed it down towards the shore, where the buildings began again. This time they had a maritime twist to their architecture with white and blue colours dominating.

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As the road way climbed upwards we returned to the brightly coloured buildings of the village.

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We were fascinated by the interest of some visitors in particular buildings which it appears were featured in a TV series from the 1960’s, The Prisoner, which still has a strong cult following. It adds yet another layer of interest to this utterly fascinating “one-off” place.

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A Garden in July and August – Trentham

So back to Trentham to see how good this wonderful garden is throughout the year. Because of preparing for the first ever opening of our garden we will have to join July and August together and do just this one post. From past experience of visiting in late summer we had high expectations. We expected the River of Grasses to have grown tall and be flowering profusely and for the herbaceous perennials to be full of colour, texture and structure. So let’s have a wander to see what is going on.

We entered the gardens over the little curved bridge over the River Trent and got our first look over the Piet Oudolf gardens. The River of Grasses was showing stress after the strange weather so far in 2014, with the grasses only looking half grown and showing no signs of flowering.

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Taking the gravel path through the winding row of River Birches we were amazed by views of Oudolf’s prairie planting. After the restful green shades of the River of Grasss there was suddenly so much colour! The planting combinations worked together showing great use of contrasting colours and textures.

 

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Persicaria, Eupatorium, Echinacea, Monarda, Sedum and Sanguisorba were star performers. But there was lots more to appreciate too!

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We were sad to leave this area with its gentle atmosphere and some of the best plant combinations you can find anywhere in England. But we were here on a mission, seeking out the changes since our June visit. So off we went to the bit of Trentham we don’t like, the Italian Garden with its gaudy bedding plants. But it is part of the story so I took a few pics of the bedding. Below the balustrading the narrow border was much better with its Aeoniums, Kniphofias and Dahlias. At this time the drizzle started to fall and as usual we got our Trentham soaking.

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From the balustrade we got our first views of Tom Stuart-Smith’s redesigned Italian parterre garden. The garden seemed gentler in colour on this visit with a concentration of greens and yellows with clusters of mauves and purples.

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Any red or orange looked stunning in this company of course, especially the Heleniums and Crocosmias, with an odd surprise Hemerocalis thrown in for added interest.

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As usual the corner beds looked great encouraging the visitor to explore further. We certainly enjoyed them as we moved on towards the display gardens.

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Within the display gardens there were several little areas of interest, such as this old fence leaning on the ivy-covered wall and the delicate pink planting.

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As usual we made our way back to the car via the Rose Walk, where our senses were invaded.

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This piece of sculpture created by Mother Nature stopped us in our tracks – never before had we seen Foxtail Lilies looking quite like this with their towering stems dotted with marble-sized seeds affording a are glimpse of its unusual structural qualities.

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From the Rose walk we glanced across through the wrought iron supports to Piet Oudolf’s River of Grasses and his Prairie plantings.

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Trentham never lets us down. We were expecting to see big changes and lots of colour on this visit and we were not disappointed, except for the River of Grasses where the grasses seemed small and lacking in flowers just like ours at home. The weather this year has a lot to answer for! So next visit will be in September when once again we will go with great expectations and full of excited anticipation.

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