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colours conservation garden design garden furniture garden photography garden seat garden seating gardening gardens gardens open to the public grasses hardy perennials light light quality ornamental grasses RHS

Hyde Hall and its Dry Garden

As promised we now return once again to share our experience and enjoyment of our visit to RHS garden Hyde Hall and in particular to celebrate the famous Dry Garden. This was a small patch when we first saw it but a recent revamp has seen it develop greatly in scale but more importantly the addition of new plants has enhanced the original scheme. This patch of planting is on a gentle knoll of land and the plants in it have never been fed or watered since they were first planted. We were interested in this as we treat areas of our Avocet patch in exactly the same way. To us it seems a very natural way to garden, being much as Mother Nature intended for some wild areas.

Gravel is the mulch surface through which plants are planted and clear gravel patches become paths and ways to explore the plantings. Right on the very top is a stunning wooden seat, which is a splendid place to sit and look all around every degree of the full 360 view!

  

I shall now share a selection of photos I took of the dry garden to give you an impression of the style and character of the planting.

There is another phase of development underway at Hyde Hall so we need to visit again soon to see what is going on – can’t wait!

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colours garden design garden photography gardening gardens gardens open to the public grasses hardy perennials light light quality ornamental grasses ornamental trees and shrubs RHS

Two RHS Gardens – Part 1 – Hyde Hall

As members of the RHS we often visit their gardens and their partner gardens. Sadly it is a long journey to get to any of their main gardens so we do not visit as often as we would like. We make an effort to visit at least two each year.

In 2017 the two we selected were Hyde Hall in Essex and Harlow Carr in Yorkshire, two very different gardens, one in the south and one in the north. The first we visited was Hyde Hall which is the furthest away of all their gardens so we have only ever explored it once before. We made this journey in the middle of the summer and were looking forward in particular to seeing how the Dry Garden had developed as this was a new venture when we originally visited this garden. When we journey down to Essex we usually pay a visit to the garden of the great lady of British gardening, Beth Chatto, but this time we did not have time. But we will go to her garden soon when I will post about her incredible garden when we do. For now though we will concentrate on the gardens of Hyde Hall.

It is rarely possible to admire the planting within a car park, but at Hyde Hall the planting was worth looking at and photographing. It was based on new style perennial planting which had such a gentle calming effect on us as we walked from the car to the garden. Grasses and airy perennials were the mainstay of the plantings.

  

Once inside the gardens themselves, the quality of planting and the brilliant way in which plant partners were grouped were of the highest quality.

              

Grasses feature strongly at Hyde Hall adding texture to the landscape where grass is cut selectively, but different ornamental cultivars are used for structure and their architectural presence, and in mixed plantings for contrast, movement and for visitors to touch and stroke.

   

In places we could identify where plants had been chosen to take advantage of the light from the sun, using its brightness to encourage us to see reflection, shimmering light, glossy textures and contrasting patterns. Essex is dry and sunny particularly compared to our Shropshire climate. Using the brightness of the sun and the dryness of the climate to enhance gardens is so clever and not often done well. Hyde Hall is the star in this department.

In my second post about this wonderful RHS garden I shall focus on their famous Dry Garden, but for now I want to explore the way light is used so effectively in some areas. Light can emphasise glossiness of foliage, it can emphasise the interplay of light and shade and it can emphasise texture.

   

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