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autumn autumn colours country walks Land Art landscapes National Trust ornamental trees and shrubs outdoor sculpture photography Shrewsbury Shropshire The National Trust woodland woodlands

A Lockdown Woodland Walk- Attingham Park

On a warm bright autumn in mid-November we took advantage of the covid lockdown rule allowing us out for exercise and booked a slot at Attingham Park our local National Trust property.

We really enjoyed the amazing sense of freedom we felt every minute of our wanderings. It felt great to take a few photos again! Here they are! The last few show some knitted animals placed among a shrubbery for the autumn season.

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garden design garden photography gardening gardens gardens open to the public Land Art light light quality Norfolk ornamental trees and shrubs outdoor sculpture

Houghton Hall Part 2 – The Gardens

So here we are with the second part of this visit to Houghton Hall in Norfolk, a post refound!

Although our main reason for visiting the gardens at Houghton Hall was to explore the land art created by Richard Long within its grounds and house, we also planned to enjoy the gardens in their own right.

 

The gardens featured huge expanses of sweeping lawns broken up by pleached hedges and topiary. As we approached the house we were surprised to see a circle of stumps arranged on the grassed area, like a stump henge. Each individual root stump was beautiful in its own right but the circular arrangement added another dimension, the dimension of mystery.

    

The pleached lime hedges presented a strong structural element to the lawned areas. The strong sunlight on the day gave patterns of light and shade, cool and warm. Some of the raised hedges were tall enough for us to easily walk beneath them to experience these contrasts, which was most welcome on such a warm day. Looking out from beneath the pleached blocks of lime gave us framed views of the expanse of the gardens. Further surprises appeared periodically mostly in classical style, stone columns and seats and occasional modern pieces.

      

In complete contrast to the formality of the parkland areas discussed above, roses featured in softer more romantic borders. This planting felt very soft, restful and gentle.

 

The parkland was separated from the farmland surrounding it by a “ha ha”, the cleverest way to keep livestock out of formal gardens.

 

We enjoyed a diversion off one of the main paths while searching for more Richard Long installations, and the narrow path was edged with beautifully cloud-pruned box hedging. The pathway led us to a “Skyspace” by James Turrell. We love his work so spent time sitting inside watching the moving weather. So peaceful!

In complete contrast to the open parkland and grassed areas with architectural planting features, we found another area of the garden at Houghton, the Walled Garden such a contrast. This part of the garden will be the subject of the third post concerning Houghton Hall.

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architecture garden design garden photography gardens open to the public Land Art Norfolk outdoor sculpture sculpture

Houghton Hall Part 1 – Richard Long at Houghton

This post, one of two about Houghton Hall in Norfolk wasn’t published at the time so here it is now, found again and ready to be sent out albeit rather late!

Richard Long is one of our favourite land artists and until this year we had only seen a few isolated examples of his work. While travelling towards our holiday venue in Norfolk we noticed, as we drove along, large signs advertising an exhibition of his work at Houghton Hall. We could not believe our luck! We soon set aside a day to visit the garden and exhibition.

The exhibition was called Earth Sky and we had seen a few of the pieces there in the past and thought it a great location for his work.

There were a couple of pieces we particularly wished to study, “A Line in Norfolk” and “North South East West”. We have already seen a similar piece to “A Line in Norfolk” at the Yorkshire Sculpture Park a few times over the last few years. There, the line of sandstone ran like a perfectly straight path into a lake. It looked amazing and magical. The other piece we wished to see had been featured in a magazine article and simply looked so perfect and satisfying sitting dead centre in a room in the house itself.

“A Line in Norfolk”

   

“North South East West”

  

As well as the pieces exhibited within the grounds a selection of much smaller pieces were on display along a corridor within the hall itself, delicate prints on driftwood and recycled pieces of wood.

    

Long experimented with splashes of white paint carefully and very deliberately thrown nto wall recesses previously painted black in readiness. The effects were fascinating and got the creative thinking going in overdrive. We saw simple but beautiful patterns, water falls, landscapes and much more within the lively white paint marks.

“White Water Falls”

I shall put more “White Water Falls” pics in the following gallery along with more photos of Richard Long pieces from his exhibition at Houghton Hall. Enjoy!

 

 

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fruit and veg garden design garden photography gardening gardens hardy perennials kitchen gardens Land Art ornamental grasses ornamental trees and shrubs outdoor sculpture sculpture Shropshire South Shropshire village gardens Yellow Book Gardens

Oakley Mynd – a wildlife garden with views

Here is a post I wrote back in the summer which I thought would be good to post now to bring back memories of warmer days.

We always like finding new gardens opening for the NGS, and Oakley Mynd was a real find. As there was no parking we had to park in Bishops Castle where we took the mini-bus provided by the NGS up the narrow steep lanes.

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flowering bulbs garden design garden furniture garden paths garden photography garden pools garden seat garden seating gardening gardens gardens open to the public hardy perennials Land Art light light quality ornamental grasses ornamental trees and shrubs outdoor sculpture pathways shrubs spring spring gardening village gardens Yellow Book Gardens

Moors Meadow – a romantic garden full of magic

We had not visited the magical garden at Moors Meadow for several years so we were really looking forward to exploring it with my brother Graham and sister-in-law Vicky.

The garden here was pronounced Britain’s most romantic garden by a national gardening monthly. We were so looking forward to finding out if it lived up to this and if it still felt as magical as we remembered.

It didn’t take long for us to discover that it was indeed a garden full of surprises, artifacts, unusual plants, amazing seats and wandering pathways through changing moods of garden.

   

I shall now share a gallery of photos showing our walk around the gardens.

So there is my gallery of photos of our journey around the magical and romantic gardens at Moors Meadow. I hope you enjoyed sharing our journey and our enjoyment.

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Christmas traditions colours Land Art landscapes light light quality sculpture the sea the seaside the shore Wales

New Year’s Day at the seaside

This post was written right at the beginning of the year but I never got round to publishing it, so here it is a day spent at the seaside to celebrate the arrival of a new year, 2019.

It has become a tradition with Jude and I to spend New Year’s Day at the seaside, sometime on the north coast, sometimes mid-wales. For 2019 we made the trip to mid-wales settling on Aberystwyth as our venue for the day. Daughter Jo and son-in-law Rob joined us so it was extra special.

 

We are always amazed when at the coast how both Mother Nature and visiting humans produce little creations with pebbles and driftwood.

    

As the day wore on the light changed and a warm light lit up the sea and the rocks where the tide rushed in with frothy waves.

So now we can look forward to January 1st 2020 a new year’s day seaside amble and of course a new decade’s day amble too!

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Land Art landscapes light light quality outdoor sculpture photography sculpture trees Yorkshire

A Family Holiday in Scotland – Part 7 Yorkshire Sculpture Park

The last day of our family holiday, where we spent a week in the Scottish Borders, was spent part way during our journey home at The Yorkshire Sculture Park. This is a favourite place for our family so it was great to all be there together. There are always top quality gallery shows and outdoor exhibitions as well as the permanent collection of outside sculpture all dispayed in beautiful parkland.

Before going out to the underground gallery to look at the work of Guiseppe Penone, we had a quick look at exhibitions inside which we all felt were rather strange except  for Arabella who enjoyed the animals. She loves all animals! See what you think of these.

 

We went out into the unnaturally cool, wet July morning across the gravel display area into the main gallery. This building is so good at displaying sculpture and is fascinating in its own right. The right hand photo of the three below shows part of the first piece we spotted as we entered the gallery building.

  

In the main gallery spaces we were enthralled by Guiseppe Penone’s exhibition “A Tree in the Wood”, each piece holding our attention. The centre piece was a tree carved to follow the natural contours and get into its soul. It was a beautiful piece! The tree was so long that the sculptural piece went through two galleries passing through from one to another.

           

This sculptural piece was one of the most beautiful pieces Jude and I could ever remember experiencing, as the sculptor successfully discovered and enhanced the textures, shapes contours and even the soul of the tree when it was still living. Now this tree will live on for ever, unaffected by storms, freezing conditions and long winters.

But there were plenty of other examples of his tree and wood sculptures here to enjoy plus a few 2D pieces.

    

After hours of being enthralled by “A Tree in the Wood” we eventually moved outside to a very wet parkland. Arabella however who loves puddles almost above all else soon spotted one result of the rain. To enjoy this you will have to await my next post.

 

 

 

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allotments garden design garden photography gardens gardens open to the public kitchen gardens Land Art landscapes sculpture

A family holiday to Scotland – Part 3- Little Sparta

For a long time we have wanted to visit the garden at Little Sparta near Glasgow, so when holidaying nearby we just had to pay it a visit. Often places you have waited for with high expectations turn out to be less than you hope for but Little Sparta proved to be more than expected. Jude and I visited with our son and daughter-in-law, Jamie and Sam and our granddaughter Arabella, a twenty-month old garden and nature lover.

Little Sparta is the garden created by artist Ian Hamilton Finlay (1925-2006).  It was started 50 years ago, created from the natural landscape and is described in the leaflet given to garden visitors as “a beautiful and shaded place, with trees, flower beds, running streams, bridges, ponds and paths, which lead you past more than 200 artworks many of them carved with inscriptions that will take you into the world of classical Greece and Rome, poetry and philosophy, but also the French Revolution, naval ships, armed conflict and weapons of war.”

So we arrived with expectations of surprises and originality.

We parked in the tiny carpark and followed a rough gravel track for almost half a mile up the slope to the garden entrance. We can’t remember visiting many gardens without vehicle access at least reasonably close. The walk up took us through beautiful Scottish farmland complete with sheep and cattle.

 

The gateway presented a warm welcome but was somewhat of a trick as it was not the actual entrance to the garden which was a short distance along the stone wall.

 

With every turn of a path new and very varied vistas presented themselves, close tight places and larger open landscapes.

     

Surprises in the form of stone sculptures and stone calligraphy add to the delight of this garden and help us understand its designer.

     

A real surprise was a fruit and veg patch which had the feel of a true old-fashioned allotment.

 

 

 

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autumn autumn colours garden design garden designers garden photography gardening gardens gardens open to the public grasses hardy perennials Land Art light light quality meadows ornamental grasses outdoor sculpture Piet Oudolf sculpture

Hauser and Wirth – a return to Piet Oudolf’s gallery garden

We have visited the Piet Oudolf gardens at the Hauser and Wirth Galleries in Bruton, Somerset twice already. We wanted to visit once more to see how these amazing new perennial style gardens had matured.

We had to pass between the gallery buildings to reach the gardens but were drawn to these gently planted containers and gardens in the courtyards.

 

A sculpture piece by Richard Long graced one area of grass, but after a quick look and photo, we hurried through the gallery buildings and out into the main gardens. We were to find another Richard Long piece at the far end of the main garden, one of his circular works.

 

To give a true picture of the gardens here at the gallery I need to share a gallery with you showing views across board, plant compinations and a few individual plants too. Enjoy by clicking on the right arrow and navigate as usual using the arrows.

 

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autumn autumn colours lakes lakes and reservoirs Land Art landscapes light light quality ornamental trees and shrubs sculpture Shropshire trees woodland woodlands

Lakeside Sculpture

Shropshire’s “lake district” is situated to the south of the North Shropshire town of Ellesmere, where several meres cluster together. We have known about the sculpture trail around the largest of the meres for a time but have only recently visited and explored the trail. We took advantage of the visit of my brother Graham and his wife Vicky, who love the same sorts of days out as we do, to go to find the trail.

It was worth the wait. We wandered slowly around the lakeside finding a wide variety of sculptural pieces. Once we had parked the car and had our usual coffee and cakes, we found a few pieces in a sloping field opposite. As we entered the park alongside the lake we were treated to views of the church through the trees.

The theme of the sculpture collection was the history and life of the market town of Ellesmere. The first large piece, large enough to explore inside in fact, was based on the barges that would have plied their trade on the nearby canal. The sculpture was created from steel with cut out features in places which gave light a chance to penetrate and play with shadows.

 

The lakeside parkland held collections of mature trees which cast long shadows across any open patches of grass. We periodically enjoyed glances of the wide expanses of the mere. As we followed the gravel pathway further around the lake we discovered varied sculptural pieces.

  

We failed to fully work out the meaning and context of the first piece we discovered on the lakeside, which resembled a relief decorated shield wrapped around a pole. We studied it for a while and discussed several possible ideas but eventually walked off still baffled!

 

This huge metal bee towered over us and beneath him was a stack of logs acting as its plinth. Each piece of wood was drilled with holes making each one a home for solitary bees.

 

Large morrainic boulders were positioned close to the lakeside and on closer inspection we discovered they were homes to a small groups of bronze pieces, mostly connected to the nunnery close to the mere and other town features.

     

Moving further into natural woodland and away from the parkland, we discovered a tree-house carved from a dead tree trunk and a beautiful tall, graceful shiny metal piece. pierced with a wide hole giving views over the sparkling water.

    

Our favourite piece of all was the furthest along the walk but well worth the wait. It was called SShhh and was simply this word carved out of a single piece of wood which stood a good 6 ft tall. It was beautifully positioned in a clearing where the ground was covered in fallen autumn leaves. It looked most impressive sat beneath tall Beech trees and their long sharp shadows! It was beautiful to touch and the light fell on its cracked surfaces creating sharp shadow-lines and increased the intensity of its textures. Enjoy following the photo sequence below taken as we walked closer and closer to SShhh.

Alongside SShhh we found long trunks of old fallen trees to sit and rest upon. A seat had been carved out of one leaving a perfect resting place. We enjoyed studying the fallen leaves, with varied colours and textures. After a short rest we made our way back to the town where further pieces of sculpture awaited discovery. Unfortunately when we got back the light was going so we decided to continue our exploration of the sculpture trail at a later date.