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The Allotments at Rest

We took a walk around our allotment site today to see what was going on and check that everything was okay. We had just watched the site on TV as we featured on a BBC2 series called the Great British Garden Revival. I filmed with Dermuid Gavin a feature on wildlife gardening. It was a strange experience seeing our allotment site on the screen but even stranger seeing our own plot being used as an example of a wildlife friendly garden.

For today’s wander we arrived during a period of sunshine with a clear blue sky over our heads, but by the time we were half way around the clouds had arrived and we were subjected to light but very cold rain. The pure white catkins of the Violet willow in the Spring Garden sit like droplets of rain water after a storm. They are bright enough to be visible from a long way away. They draw attention to themselves very well!

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Probably the brightest of winter colours on any veg plot is provided by Swiss Chard especially the cultivar called Bright Lights. Light catches on the textured leaves emphasising their undulating surface. The other crops still in evidence are sprouts that have overwintered and the new fresh foliage of the Globe Artichoke. These leaves now just a few inches long will expand to a massive few feet in length and the plants will reach a good nine or ten feet in height. Their purple, teasel like flowers will delight our pollinators the butterflies, bees and hoverflies and the seed heads that follow will be a magnet to greedy Goldfinches and Linnets in the autumn. Perhaps the strongest pattern of all was found on Tom’s plot, where he has set out all the old clay drainage pipes that he dug up from his plot.

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Both the male and female catkins glow purple on the Alders in the Autumn Garden where their neighbours the Buddlejas are showing fresh foliage with their texture like reptilian skin.

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Last year’s plants in the meadows and borders are now skeletons of their former selves. There is a strong structure linked with subtle beauty in these spent seed heads.

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The wildlife shelters sitting in the orchards and meadows hide so many hibernating creatures. They shelter creatures from the winter cold and house anything from the tiniest insects up to amphibians such as frogs, toads and newts, birds like Wrens and Dunnock and mammals including  our confident Weasels. A lost glove adds a splash of colour! In our “Dedge” the bright colours of the various Lichen, yellows, chartreuse and greens, glow however dull the light is.

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A few spring flowering bulbs are showing spears of green piercing the cold soil. Some are even flowering such as the diminutive Iris reticula and Snowdrops.

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Variegated foliage always looks good in the winter when the silver or gold stripes, spots or squiggles shine against deep green backgrounds.

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Perhaps it is only right that the most colourful and interesting garden of all at the moment is our Winter Garden. The coloured stems of different forms of Cornus and Salix give us reds, oranges, greens and yellows and even black. The white stemmed Birches are now over 20 feet tall and they dominate this garden. Euphorbias and Hellebores give colour at close to ground level, while the Viburnum bodnantense “Dawn” and Cornus mas provide pink and chartreuse at eye level. Both these shrubs are also powerfully scented.

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Elsewhere the coloured stems of a Salix in our Withy Bed shines gold and the Cornus “Midwinter Fire” glow like flames.

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Our tour finishes off with a look at this year’s major project, our wildlife pond. We inherited this large farm pond in the summer and are busy tidying up around it in readiness of the work that lies ahead.

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This little character is hidden for most of the year under a patch of Chrysanthemums grown for cutting but in winter he appears to cheer us all up.

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I shall finish this post with a couple of bright jewels.

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A Garden in December – Trentham – Part Two

Back at the Trentham Gardens we moved into the borders designed by Tom Stuart-Smith. But first we passed through the formality of the Italianate borders with their strong structure of low box hedges. The view of these borders, which we get from the top of a flight of semi-circular stone steps is guaranteed to take our breath away. We looked forward to this moment every time we visited.

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Seed heads were the stars here too with a mix of tall grasses and structural perennials. New growth was appearing promising colour to come in the spring.

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Phlomis, having given bright sunshine coloured flowers in summer, were now starring again with their dark brown almost black spheres of seed heads spaced up the length of their straight stems.

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The tallest stems were of a plant we did not recognise. Tiny seed heads hung like Tibetan prayer flags from gently bowing stems.

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As we left the T S-S borders we looked back over them from the raised pathway. Dampness from earlier showers made the path surface glisten and reflect the blue of the sky.

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On the lawned slopes by the glass fronted cafe giant snowdrops powered over our heads. We  always love willow structures! These were made from willow, some stripped of their brownish green bark and were beautifully woven and shaped. They stood a good 10 feet tall.

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After our compulsory coffee stop which, was much appreciated on this cold December morning, we wandered back through the borders towards the Rose Walk. Again my camera snapped away at the wonderful structures of the perennials and grasses.

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Although most winter structure showsoff the many shades of biscuits and browns, silver seemed to dominate one area. Giant leaves of Verbascum hugged the cold ground in huge, soft, silver rosettes. The silver giants were the Onorpordum or Scotch Thistles which in winter take on strong sculptural shapes.

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The roses still persisted, producing occasional buds in gentler colours than in the summer. There was an added subtlety about them which gave them extra charm.

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The sculptures at either end of the Rose Walk were wrapped up snuggly against the ravages of the winter. The Japanese Acers along side the walk displayed their seeds like the rotors of helicopters. The Wisteria which had clothed the metalwork with blue racemes of flowers in the Summer was now showing buds and old seed pods.

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As usual I took a few photos looking through the arches across to the River of Grasses.

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We were amazed to see a clump of Delphiniums with fresh growth of foliage and strong flower stems with fattening buds. No doubt the weather will have the last say and bring them to a premature ending.

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The team of Trentham gardeners were, as always, beavering away in the borders. We have enjoyed seeing what they are up to on each of our visits. They have always greeted us with a smile and a few words of welcome.

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So there we have it – a year in the life of one of Britain’s best gardens! Even though we have made the effort to visit every month throughout 2014 it never seemed a chore. We loved every minute of the many hours spent here. And we shall keep coming back. It has to be our most popular garden destination.

 

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Post 500 – Tom Stuart-Smith at Serge Hill 2

As promised we return to Serge Hill for the final part of my Post 500 series, where we will discover the garden Tom Stuart-Smith designed for his sister and also take a look at his own meadow and prairie garden. (apologies for the poor quality of the photos but I was trying out a new camera for the first time)

His sister’s garden is designed to reflect her particular needs and interests, but it is easy to see his favourite plants and planting combinations throughout.

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I could’t resist taking the shot below. It looks as if he gardener was caught out by the arrival of all those visitors, so made a hasty retreat.

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The prairie garden was very popular, which made taking photos pretty difficult. In fact it was so busy when we arrived that we went off to explore the paths cut through the acres and acres of native wildflower meadows

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When we found a quieter moment in the Prairie we returned for a wander. It was a lovely contrast to the native meadows. I shall start with one of the favourite garden plants of both Jude the Undergardener and myself, Dianthus carthusianorum. We have a clump of three at home but here they were planted by the hundred. Incredible delicate looking wiry plant that moves in the slightest breeze.

 

 

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I had the pleasure of a quick talk with Tom Stuart-Smith himself and I proudly left his garden with a signed copy of his book under my arm, a book all about making his Barn Garden.

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Post 500 – Tom Stuart-Smith at Serge Hill

As promised for the third in my week’s posts celebrating my 500th post we go down to Hertfordshire to explore Tom Stuart-Smith’s garden designs at his own home and the home of his sister. The family home at Serge Hill is surrounded by mature planting. The new gardens  designed by T S-S are within its grounds. When these gardens open they are very popular with thousands of visitors making an appearance. It looks very busy and taking photos is difficult as the gardens are only open for one day each year as part of the National Garden Scheme, so people find it in the famous Yellow Book. The friendly herd of Guernsey calves greeted every visitor. We wandered through the gardens around the house which had been there a long time but the influence of T S-S can be seen.

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In the gardens at Tom’s and his sister’s, both designed to suit their particular needs, we felt we had found the nearest to perfection in meadow planting, prairie planting and courtyard planting. Come with us and see what you think.

Firstly I shall share my photos of the courtyard at The Barn. It has an atmosphere of such calm. Those loungers must provide a wonderful place in which to relax and be content with the world. The rectangular corton steel pools with their sheets of water dyed black for extra reflection mirror so clearly the moving clouds and any overhanging plants. Looking into them it appears as if they are bottomless.

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The planting is so simple but effective. Every plant has its place and complements its partners perfectly. Chartreuse and purple flowers and bracts work together so well against their background of grasses and coloured foliage.

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Reaching the prairie we found fellow garden fellow visitors exploring every pathway that were winding throughout.

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Close by a huge area had been planted as a native wildflower meadow which provided a wonderful contrast to the more vibrant prairie. We shall look in greater detail at the prairie and meadow as well as Tom Stuart-Smith’s sister’s garden in the next post.

 

 

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Post 500 – Part Two – a further visit to the “Oudolf Field”

As promised I am returning to the beautiful county of Somerset where Jude and I spent a day exploring the exciting new “Oudolf Field” and the gallery buildings at the Hauser and Wirth’s Durslade Farm.

We left off as we were looking at the pool and giant clock. This is the first time we have seen any water designed into an Oudolf designed garden and indeed the first one to include a giant clock. The pool afforded clear reflections of the trees surrounding the site and was only planted around the margin closest to the buildings to give the maximum area of reflecting water.

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The tall clock towers over the pool and its white face stands out against the brightness of the blue sky. I would imagine it would look great against black clouds too! It casts a beautiful lollipop shadow across the golden gravel. Its face looks like a big circular disc but it is in reality asymmetric in design, which causes the minute hand to move out into clear air as it moves into the narrow side.

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Although the planting is lower than in his previous gardens Piet Oudolf still uses many of his favourite plants such as Sanguisorbas, Echinaceas, Verbenas and Heleniums.

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We had a break for coffee and to look around the galleries before wandering the gardens again as the sun dropped slowly in the sky and the light gave the meadows a fresh look.

We were enthralled by a gallery where a display of Oudolf’s garden designs helps reveal how this garden designer’s mind works. We loved the designs and working drawings and “idea jottings” of this garden here in Somerset as well as those from the New York High Line and the Wisley Garden.

Moving from gallery to gallery each courtyard space is softened by more of Oudolf’s plantings, featuring trees underplanted with grasses and perennials. The sculptural pieces sit comfortably among the old farm buildings with their richly textured surfaces.

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Enjoy the gallery of photos taken in the sparkling late afternoon light. It is amazing how different plantings can look as the light changes within just a few hours at this time of year.

The next post in my 500 Celebration series will find us over in Hertfordshire where Tom Stuart-Smith lives. We had the privilege of visiting his own garden and the one he designed for his sister.

 

 

 

 

 

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Post 500! A look at two garden designers.

To celebrate reaching 500 posts in my Greenbenchramblings adventures I thought I would create a week of posts about my favourite garden designers, Piet Oudolf and Tom Stuart-Smith. I have featured examples of their gardens several times already but these are special gardens. The Piet Oudolf garden here is his latest creation in Somerset and the Tom Stuart-Smith gardens are his own garden and the one he designed for his sister who lives just yards away.

The garden, called the Oudolf Field sits within the grounds of the Hauser and Wirth Gallery in the Somerset village of Bruton. This 1.5 acre garden was only planted this year so we visited in its very early stages. The garden is better described as a perennial meadow than his usual tall prairie. The plants are generally shorter so that more of each border and the garden as a whole can be seen at one go. The meadow is designed to feel soft and loose and the style is reflected in smaller gardens all around the farm buildings. Unusually for his gardens he has included a pool here.

So let’s start on our tour beginning as we leave the restaurant in the old renovated farm buildings. A grassed area with widely spaced trees contains unusual seats in which to relax and view the garden, sit and enjoy a coffee or read a book. These “Eye Benches” are made from black Zimbabwe granite.

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The meadow style borders themselves contain over 26 000 plants and winding paths invite the visitor to view each border from all different angles. Unusually for Oudolf he has designed most of the planting to be low enough to look over it and view most of the garden. Jude the Undergardener is unconvinced by this as it all seemed so low and I have to agree to an extent. I much prefer his taller plantings but time will tell. After all this garden is just a few months old.

Come for a wander and see the “field” through the lens of my camera. Just click on a shot and follow the arrows to navigate.

A giant clock is visible from every part of the garden. It towers over the pool. I shall continue my tour of Oudolf’s new garden and the buildings that it adorns in the next part of this 500 post celebration week.

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A garden in September – Trentham

So here we are back for the September visit to the wonderful gardens at Trentham. We arrived in bright sunshine which was a big change to the usual weather on our visits here. Usually we get wet but today looked set fair with blue sky with just a scattering of white clouds. As we walked over the bridge into the gardens we looked down into the River Trent below to see it swollen with floodwater and carrying much dirt in its wake. The water of the Trent flowed brown and the grasses of Piet Oudolf’s River of Grasses refleced this colour.

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Moving into Oudolf’s Prairie there was much more variety in the colours although grasses remained powerful elements. The tall herbaceous perennials were showing deepening colours as autumn approaches. Rich rubies, purples and blues were, in places, lit up by the crisp white of the Seleniums and sunny yellows of Solidago.

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Leaving the subtle but at the same time exciting Prairie we wandered off towards the Italian Garden with its traditional style of planting. We passed through a Hornbeam tunnel where the autumnal light played with shadows. Leaving its coolness our eyes were assaulted by Begonias and brightly leaved bananas.

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We always look forward to our first glimpse of the delights that await us in Tom Stuart-Smith’s Italianate parterres. Looking from the balustrade the view spread out below in the geometric beds promised so much of interest, while a quick glance below showed bursts of red Dahlias and yellow Rudbeckias.

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Once down among the many beds we soon discovered just what flowers were giving us the colourful sights.

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These colours were enriched all the more by the russets and chocolates of the grasses and seed heads of perennials such as Phlomis and Verbascums.

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We reluctantly left the Tom S-S plantings behind us and ambled off through the tall trees of the old parkland towards the display gardens. We glanced at the early autumn colours of Prunus trees between the silver bark of the trunks of Betula. Some Betula trunks were showing their great age and their textures contrasted strongly with their younger smoother neighbours.

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Rhus trees were showing deep orange foliage which matched the petals of a lovely Dahlia.

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Elsewhere another Rhus partnered a red leaved Cotinus. Coloured glass leaves atop silver stems added more colour close by.

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White and purple spires of Actaea caught the light.

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In the Allotment Garden orange globes of pumpkins were drying in the sun and heat of this Indian Summer.

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After a light lunch we made our way towards the Rose Walk to see how things had changed since our visit last month. We passed back through some of the Tom S-S borders where we were drawn for a closer look towards the long thin seed pods of Amsonias.

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Seedheads and dying flower heads of many different perennials and grasses were so enthralling that our walk back through these borders took rather longer than anticipated.

 

 

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A long line of thin rectangular borders designed by Piet Oudolf act as a link between the Tom S-S garden and the Rose Walk. Here colour abounded.

 

 

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In the Rose Walk itself most rose bushes were still in flower and tall flowers such as Cleome and Verbena bonariensis added even more colour.

 

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We enjoyed the views from the Rose Walk back towards Oudolf’s Prairie and River of Grasses. We could also see the shrubs growing alongside it including a spectacular deciduous Euonymous with orange and red fruits.

 

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So this Indian Summer we are enjoying provided us with great light to view the gardens at Trentham but the strange seasons mean that many perennials and grasses were far more autumnal than we could have expected. Next month’s return to Trentham may well show Trentham to be well in the grip of Autumn.

 

 

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Cliveden – the house and garden of Nancy Astor

While holidaying around Cambridge earlier in the year we stopped off on our travels to have a wander around the gardens at Cliveden, the one time home of Nancy Astor. She was an English MP even though American born. Her second marriage was to Waldorf Astor who inherited to a peerage and entered the House of Lords. Nancy was the first ever woman to be a member of the House of Commons, but also gained notoriety as a Nazi supporter.

Her garden turned out to be a garden planted in a style we do not actually like but definitely “of its time”. We are definitely not fans of formal gardens or bedding schemes and here we found both but viewed from an historic perspective they were interesting. Classical figures, topiary and “grand fountains” are also not my style but Jude the Undergardener, being more of a history buff doesn’t mind them.

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Interestingly close up the bedding proved to be of orange gazanias rather than the begonias or pelargoniums we expected.

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But bordering the bedding scheme central feature was a long mixed border, much more to my liking.

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Things were looking up soon however as we passed through an opening in the yew hedging and discovered a tree unknown to me in the woodland.

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Little areas of meadow lined the pathway down through the woodlands. Gnarled branches of old shrubs curled around on the grass near the paths.

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The old rose garden has been revamped recently with newer more disease resistant varieties, so inevitably most are from David Austin. The colours of the blooms have been chosen to represent sunrise and sunset.

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The buildings clustered in the centre of the grounds were rambling and sat beautifully within its setting. In particular it had interesting chimneys and towers which look good against the clear blue sky. Towers even featured in the walled garden.

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The walled garden, with its patterned brickwork, featured beautifully planted herbaceous borders around a highly manicured lawn. The plants were mainly recent cultivars and chosen for their richness of colour.

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From the courtyard as we leaned on its stone ballustrade we could see the Italianate parterre placed within more manicured lawns. They seemed to sit rather awkwardly there.

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We finished our Cliveden wanderings in the Water Gardens where formal fountains and oriental buildings sit among informal pools and soft planting.

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RHS Flower Show Tatton Park – Part 2 – children as gardeners

One of the most enjoyable features of Tatton and perhaps also one of its most important elements is the encouragement of young talent be it young garden designers creating their first RHS show gardens or local schools trying their hand out at making gardens.

We always enjoy the work of the young designers at Tatton Flower Show and it is here that the RHS deliberately showcase young designers’ talent but sadly there seem so few. This year there were three young designers who had been given the opportunity to create their first RHS show gardens. I wish this chance was given to more! The standard of the work of these three though was astounding with a freshness in their planting and originality in the way they considered their brief. The first two shots are of the garden designed by the winner of the title “Young Garden Designer of the Year” and show his use of soft planting schemes of perennials scattered among grasses. This was a beautiful atmospheric garden which made us imagine what it would be like to lounge on that seat listening to the insect life busy in the grasses all around. It would be like lying in an old fashioned wildflower meadow.

The third shot shows another young designer’s garden which was in fact an outdoor gym. The idea was a good one but to me it was too much of a gym and too little garden.

The last three photos are of the third young designer’s garden which again has gentle planting featuring many grasses but it has the added interest of coloured glass screens which created interesting colour casts when the sun got to work. We enjoyed this garden too and could see a great future for the designer.

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The local schools always put on a show with the Wow factor. This year they were challenged to create gardens based on book characters and others took the chance of planting up recycled items. One thing that shows through is the young minds’ use of colour.

Share my pictures and revel in the ideas and the colours. Try to work out the stimulus for the gardens too.

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As you can imagine we came away feeling happier about the future of gardening and garden designers. Surely a few of the school children who exhibit at Tatton each year will go on to choose gardening in one form or another as a career. Let us hope so!

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colours flowering bulbs fruit and veg garden design garden designers garden photography gardening gardens gardens open to the public grasses hardy perennials Italian style gardens July meadows ornamental grasses ornamental trees and shrubs photography Piet Oudolf roses Staffordshire Tom Stuart-Smith trees

A Garden in July and August – Trentham

So back to Trentham to see how good this wonderful garden is throughout the year. Because of preparing for the first ever opening of our garden we will have to join July and August together and do just this one post. From past experience of visiting in late summer we had high expectations. We expected the River of Grasses to have grown tall and be flowering profusely and for the herbaceous perennials to be full of colour, texture and structure. So let’s have a wander to see what is going on.

We entered the gardens over the little curved bridge over the River Trent and got our first look over the Piet Oudolf gardens. The River of Grasses was showing stress after the strange weather so far in 2014, with the grasses only looking half grown and showing no signs of flowering.

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Taking the gravel path through the winding row of River Birches we were amazed by views of Oudolf’s prairie planting. After the restful green shades of the River of Grasss there was suddenly so much colour! The planting combinations worked together showing great use of contrasting colours and textures.

 

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Persicaria, Eupatorium, Echinacea, Monarda, Sedum and Sanguisorba were star performers. But there was lots more to appreciate too!

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We were sad to leave this area with its gentle atmosphere and some of the best plant combinations you can find anywhere in England. But we were here on a mission, seeking out the changes since our June visit. So off we went to the bit of Trentham we don’t like, the Italian Garden with its gaudy bedding plants. But it is part of the story so I took a few pics of the bedding. Below the balustrading the narrow border was much better with its Aeoniums, Kniphofias and Dahlias. At this time the drizzle started to fall and as usual we got our Trentham soaking.

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From the balustrade we got our first views of Tom Stuart-Smith’s redesigned Italian parterre garden. The garden seemed gentler in colour on this visit with a concentration of greens and yellows with clusters of mauves and purples.

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Any red or orange looked stunning in this company of course, especially the Heleniums and Crocosmias, with an odd surprise Hemerocalis thrown in for added interest.

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As usual the corner beds looked great encouraging the visitor to explore further. We certainly enjoyed them as we moved on towards the display gardens.

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Within the display gardens there were several little areas of interest, such as this old fence leaning on the ivy-covered wall and the delicate pink planting.

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As usual we made our way back to the car via the Rose Walk, where our senses were invaded.

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This piece of sculpture created by Mother Nature stopped us in our tracks – never before had we seen Foxtail Lilies looking quite like this with their towering stems dotted with marble-sized seeds affording a are glimpse of its unusual structural qualities.

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From the Rose walk we glanced across through the wrought iron supports to Piet Oudolf’s River of Grasses and his Prairie plantings.

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Trentham never lets us down. We were expecting to see big changes and lots of colour on this visit and we were not disappointed, except for the River of Grasses where the grasses seemed small and lacking in flowers just like ours at home. The weather this year has a lot to answer for! So next visit will be in September when once again we will go with great expectations and full of excited anticipation.

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