When holidaying in Cornwall in the summer of 2018 we planned to visit St Ives as we had enjoyed it so much when we visited decades ago. We loved the seafront, quayside, the quaint streets full of art galleries some being working galleries and the garden and workshop of our best female sculptor of all time, Barbara Hepworth. And of course we mustn’t forget the wonderful Tate St Ives, a wonderful piece of architecture housing incredible artworks.
These photos were taken in a way to avoid the crowds. St Ives had become a busy crowded little seaside town and we were greatly disappointed. But at least the Barbara Hepworth Gallery and Garden did live up to our expectations and match our memories.
Jude the Undergardener and I were so proud when we attended the launch evening of a new season at a gallery in the world-famous riverside town of Ironbridge. The gallery is appropriately called Ironbridge Fine Arts, which aims to showcase the best local artists and crafts people. We arrived in the dark of a winter evening to have a look at Jo’s jewellery in the gallery, and on the way to find her display I set to work with my camera.
And then there its was – Jo’s work.
While on holiday in Norfolk with daughter Jo and her husband Rob, we found a beach where we could photograph some of her jewellery for her new website. Here we used the colours and textures of sea-battered wood of groynes and supports for beach-huts. Jo works mainly in silver with some gold embellishments and some resin work so you need the right backgrounds to enhance the character and characteristics of the work in photos.
Once we realise we have come across a suitable location, we are so pleased with ourselves – not all ideas work out! We soon get to work if the light is right, checking out backgrounds, angle of light, cloud cover, and then homing in on colour, texture and patterns for each piece of jewellery. Sometimes we strike lucky and the piece matches and works with the chosen object behind it and the effect of the light of course. Sometimes though we wander around trying a single piece in lots of different places until the feeling is right. All four of us discussed each and every one of the photos so it was real teamwork.
A perfect location will afford us the chance to photograph against a background that enhances the jewellery, adds atmosphere and adds interest without distracting from the subjects themselves. This beach was spot on and the row of beach houses on stilts was an added bonus.
Here was plenty of potential for shots to be taken. We had the sea, the sand and the sky to photograph against as well as rusting metal surfaces, sea battered wood and pealing paintwork.
It feels good to be involved in Jo’s jewellery craftwork. But even better is being able to contribute my photographic interests with Rob’s IT skills on Jo’s website he designed and runs. Here are some of the successful photographs from the session on the beach.
More recently more new jewellery awaited photographing and this time we used the colours, patterns and textures of the autumn garden, including our Seaside Garden. This time Rob and I worked together to find the best backgrounds and positioning of each piece – we work well together. I thought I would share twenty or so of the many photographs we took. So I hope you enjoy this gallery – as usual click on the first pic and then navigate using the arrows.
To check out Jo’ creations and Rob’s website skills please look at the website at