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Bressingham Gardens – 2 – Using Grasses.



In this second report of our visit to the gardens at Bressingham I am going to look at the use of grasses throughout the gardens. As the batch of shots below illustrate, grasses here are beautifully integrated into the mixed borders and enhance their partners’ attributes. The grasses add movement, sound and an element of delicacy to the whole garden.

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The Bloms family created the gardens here at Bressingham not only to show the use of perennials and grasses but also coniferous evergreens. It is here they display all the many new cultivars of grasses and perennial herbaceous plants that they have bred over the decades. They also pioneered the use of island beds in garden design where for the first time herbaceous borders were designed to be seen from all around and the island beds of plantings were designed to be islands within seas of lawn.

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Grasses especially varieties and cultivars of Miscanthus are an integral part of the gardens here including the island beds. There is a large collection of Miscanthus which impressed and delighted me as it is a grass family that I love to see and love to use in our garden. It is a great multi-season group of plants.

Here are a few shots of the Miscanthus collection, but it was hard to do justice with the camera to illustrate the subtle variations in colour, height texture and growth habits of these grasses, the colours in all the different flowers and the leaf stripes and variegations.

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Using grasses in clumps, blocks, rivers and ribbons adds drama to the garden, but equally a single specimen partnered with a shrub, tree or herbaceous plant can increase the aesthetic value of both the grass and its partner.

Here are a couple of ideas seen at Bressingham using grasses in ribbons and rivers.

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We enjoyed finding effective planting partnerships involving grasses with other classes of plant.

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We came away full of new ideas and a list of Miscanthus we look forward to adding to our Avocet patch.

 

 

 

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Are you sitting comfortably? – part ten of a very occasional series

Here we are – with the tenth post in my very occasional series looking at my collection of photographs of garden seats we discover as we explore the gardens we enjoy visiting so much. We have many seats in our own garden to allow us to sit and enjoy it. Equally we look for seats in every garden we visit to help us sit and fully appreciate what we see.

Here is a selection from a Shropshire Yellow Book garden, Windy Ridge. They show how important it is to place seats in suitable places so that they are in harmony with the plants themselves.

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Windy Ridge is a small family garden visited by hundreds of gardeners every year. We will now look at how a much larger garden uses different seats in different ways to suit its own particular circumstances. Hestercombe is a large garden designed partly by Edwin Lutyens and Gertrude Jekyll which is open to the public attracting thousands of visitors each year. The famous Lutyens benches obviously feature strongly as expected. This seat design must be the most famous and recognised of all garden furniture. As well as these benches there is a wide range of unusual ones to be explored, including several in buildings of many styles plus a few in a huge tent shaped like a shuttlecock.

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Where will our next selection of unusual, wonderful and strange garden seats come from? We are already searching them out!

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garden buildings garden design garden designers garden photography gardening gardens hardy perennials Herefordshire meadows outdoor sculpture sculpture Yellow Book Gardens

Montpelier Cottage – another Yellow Book garden

A warm bright day in early September was a great day to visit another National Garden Scheme, Yellow Book garden. Thus we drove once again into our neighbouring county of Herefordshire in search of Montpelier Cottage. The main roads turned into minor roads and the minor roads turned into lanes. The lanes got narrower and narrower until at last we found the yellow NGS sign on a gate into a field which for the day became a temporary car park.

The cottage in its primrose yellow livery felt so welcoming.

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A sense of humour, important in any garden, soon became apparent at Montpelier Cottage.

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The gardeners here are the garden writer Noel Kingsbury and his wife Jo Eliot and they have been developing the garden for ten years. The garden style and plant combinations are experimental looking to find “the border between the wild and the cultivated” being inspired by American prairies and the wildflower meadows of Europe. As we knew Noel Kingsbury had been working closely for many years with garden designers and nurserymen Piet Oudolf  and Henk Gerritsen, we were interested to see how this ten year old garden had developed.

As we followed the narrow path towards the back of the cottage the gardens came into view and we knew we were in for a colourful wander. The terrace of stone slabs overlooked the garden and sitting here enjoying a refreshing tea and tasty cake we could get views over most of the garden. Brightly coloured annuals and tender perennials grew vigorously in pots.

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When we had finished our refreshments we soon found a sign which invited us through a gap in a hedge. Alongside the gap a piece of sculpture created from beautiful blue glass caught our attention.

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As in any garden there are certain individual plants that stand out and here at Montpelier Cottage they were this deciduous Euonymous sporting a cerise and orange colourway, the deep ruby flowered Sanguisorba “Red Buttons”, the monochrome bamboo, the Rosa rugosa with big hips and the incredibly tall growing Hollyhocks.

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But as with any garden it is the big picture that gives it its own style and presence. At Montpelier Cottage the garden boasted large areas of perennial planting through which paths were cut.

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It was too late in the year to see the wildflower meadows at their flowery best so we hope to visit earlier in the year in 2016, but the kitchen garden was looking very productive.

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There are interesting rustic buildings which came into view as we wandered the paths through the garden.

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I shall finish my post about this unusual garden with a photo of a lovely slate sculpture and another piece of creativity by Mother Nature herself, weaving with Ivy stems. The final picture shows a beautiful use of shaped box.

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colours garden design garden designers garden photography gardens gardens open to the public meadows

Return to Trentham Gardens

In mid-September we made a return visit to the gardens at Trentham which I featured monthly during 2014. This time we visited not specifically to enjoy the gardens themselves but to meet friends from university, friends we had not met since the early 1970’s.

While there our reminiscences were interrupted by the sheer beauty of a new area of planting, a meadow designed by Nigel Dunnett. The meadow was sown on a slope alongside woodland and even at this time of the year was full of colour and surprises.

Come on a journey around the meadow with us in my gallery below. As usual simply click on the first photo and move on by clicking on the arrows. If this new meadow looked this good in mid-September I can’t wait to go back next spring and summer to see what pictures they paint then.

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A Garden in December – Trentham – Part Two

Back at the Trentham Gardens we moved into the borders designed by Tom Stuart-Smith. But first we passed through the formality of the Italianate borders with their strong structure of low box hedges. The view of these borders, which we get from the top of a flight of semi-circular stone steps is guaranteed to take our breath away. We looked forward to this moment every time we visited.

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Seed heads were the stars here too with a mix of tall grasses and structural perennials. New growth was appearing promising colour to come in the spring.

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Phlomis, having given bright sunshine coloured flowers in summer, were now starring again with their dark brown almost black spheres of seed heads spaced up the length of their straight stems.

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The tallest stems were of a plant we did not recognise. Tiny seed heads hung like Tibetan prayer flags from gently bowing stems.

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As we left the T S-S borders we looked back over them from the raised pathway. Dampness from earlier showers made the path surface glisten and reflect the blue of the sky.

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On the lawned slopes by the glass fronted cafe giant snowdrops powered over our heads. We  always love willow structures! These were made from willow, some stripped of their brownish green bark and were beautifully woven and shaped. They stood a good 10 feet tall.

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After our compulsory coffee stop which, was much appreciated on this cold December morning, we wandered back through the borders towards the Rose Walk. Again my camera snapped away at the wonderful structures of the perennials and grasses.

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Although most winter structure showsoff the many shades of biscuits and browns, silver seemed to dominate one area. Giant leaves of Verbascum hugged the cold ground in huge, soft, silver rosettes. The silver giants were the Onorpordum or Scotch Thistles which in winter take on strong sculptural shapes.

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The roses still persisted, producing occasional buds in gentler colours than in the summer. There was an added subtlety about them which gave them extra charm.

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The sculptures at either end of the Rose Walk were wrapped up snuggly against the ravages of the winter. The Japanese Acers along side the walk displayed their seeds like the rotors of helicopters. The Wisteria which had clothed the metalwork with blue racemes of flowers in the Summer was now showing buds and old seed pods.

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As usual I took a few photos looking through the arches across to the River of Grasses.

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We were amazed to see a clump of Delphiniums with fresh growth of foliage and strong flower stems with fattening buds. No doubt the weather will have the last say and bring them to a premature ending.

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The team of Trentham gardeners were, as always, beavering away in the borders. We have enjoyed seeing what they are up to on each of our visits. They have always greeted us with a smile and a few words of welcome.

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So there we have it – a year in the life of one of Britain’s best gardens! Even though we have made the effort to visit every month throughout 2014 it never seemed a chore. We loved every minute of the many hours spent here. And we shall keep coming back. It has to be our most popular garden destination.

 

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A Garden in December – Trentham – Part One

The final installment in my monthly series looking at how the gardens at Trentham change throughout the year.

The garden has gone full circle passing through the seasons. We began last January when the gardens were in the throes of winter and finish off in December in another winter.

As we crossed the River Trent on the suspension bridge we got a good view of the golden “River of Grasses” through the two trunks of a multi-stemmed Birch, our native Betula pendula. In all or our previous monthly wanders we turned right at the bottom of the bridge into this huge area of grasses. For our December wanderings we turned left partly because we fancied a change but mostly because we spotted a willow word.

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The gravel path took us beneath tall, ancient trees both deciduous and evergreen. Up in one we were surprised again to find a fairy looking down at us watching our every move.2014 12 16_8771 2014 12 16_8772

When we reached the willow NOEL we spotted a row of willow stars further along the path .

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On one old trunk where a large bough had been cut off nature had been at work with her army of fungi to eat away at the rotting wood, and thereby creating a piece of relief sculpture. Can you spot a figure emerging?

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After this little diversion from our usual route we retraced our footsteps to explore Piet Oudolf’s River of Grasses. Here a few seed heads stood against all odds having withstood the ravages of early winter.

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I have enjoyed seeing how the Betula nigra are looking on each of our monthly visits. The texture and colour of their peeling bark catches the light whatever the time of day or time of year.

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By passing through the avenue of Birches we found ourselves in Piet Oudolf’s prairie style borders, where so many different seed heads stood strong and proud.

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We enjoyed seeing how the gardeners had tied up some of the tallest of the old stems. We decided there and then to give it a go in our own patch.

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Where some of the herbaceous plants had been cut back by the gardening team, new growth of the freshest green has burst through and waits patiently for the Spring to come along. The cut down grasses however remain dormant, but without doubt within their sheaths new spears of green are making moves.

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Tiny vestiges of colour remained to surprise us, please us and amaze us.

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Before we left the prairie borders we looked back for the final time in 2014.

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We discovered new things at Trentham even this late in the year – a set of beautifully crafted wooden garden benches complete with meaningful phrases composed by local writers from Stoke-on-Trent’s past alongside a couple from the two great garden designers involved in Trentham Garden’s rebirth, Piet Oudolf and Tom Stuart-Smith.

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Read and enjoy P O’s words of wisdom – words which express the power of these amazing gardens.

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And reflections on the gardens from Tom Stuart-Smith ……….

“What was once a scene of decay is now a breathtaking panorama of beauty.”

There are two phrases from Arnold Bennet, a local 19th Century writer,

“You can turn over a new leaf every hour if you choose.”

“It is easier to go down hill than up but the view is from the top.”

The final two phrases were written much earlier by Capability Brown, 18th Century landscape designer and his contemporary John Bing, Viscount Torrington who owned Trentham at that time. John Bing wrote

“My old friend L Brown is to be traced at every turn……………. and a judicious former of water; the lake, here, is very fine”

Brown himself wrote,

“………. from its edges “quite round, making them everywhere correspond naturally with the ground on each side.”

A new phase of work is just starting to restore some of the early Capability grounds.

The old formal Italianate gardens that link the two main gardens had been replanted with seasonal bedding plants.

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In part two of our posts sharing our December visits to the wonderful gardens at Trentham, we move on to the gardens designed by Tom Stuart-Smith and see how they look as the year ends.

 

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A Garden in October/November – Trentham

We have now reached the penultimate posting in this series where we have been looking at how Trentham Gardens in Staffordshire have changed through the months during 2014. Since our last visit in September Autumn has taken a strong grip on the gardens. Many leaves have taken on their auutmn hues and many have fallen. But it is amazing how much colour there still is to enjoy, colours in late flowers, dried stems and seed heads.

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We always cross over the gently arching suspension footbridge over the River Trent full of anticipation. On our visit in early November we were presented with a sea of yellows, where Piet Oudolf’s River of Grasses had been transformed by the passage of time into a river of liquid gold.

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We wandered along the gravel path as it cut through the line of River Birch, Betula nigra in search of Oudolf’s prairie borders. These beautiful trees had already shed all their leaves but still drew our eyes as their bark was peeling and curling decoratively away from their trunks.

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Once in amongst the prairie planting we immediately noticed that seed heads in every hue of brown and beige and bright patches of late colour had joined the lemons, mustards and golds of the grasses. Pale purples glowed in the dull light of autumn. This glow is their secret weapon to attract moths and other night flying pollinators.

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The gardening team were hard at working replanting a section of one of the borders. It must be a never ending task. I suppose it gives them the chance to keep improving things as well as keeping the gardens in top condition.

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Deep pinks and cerise of the Persicarias and the Knautias catch the eye of every visitor. They look so good against the neutral shades that dominate gardens in the autumn.

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This lovely old Tulip Tree caught our attention. It is the oldest of its kind we have ever seen and a notice close by warned of the danger of falling branches. It must be susceptible to winter storms but should it fall it would make a wonderful natural bridge over the Trent. The dome of Hornbeam over a bench is now a golden dome.

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We made our way towards the formally planted Italian Parterre Garden, passing through an archway of Hornbeams on the way. Sunlight penetrated the coniferous plantings casting long shadows and creating bright patches. It lit up the little low box hedges of the  knot garden.

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The summer bedding in the parterre has been consigned to the compost heaps and winter/spring plants has taken their place, primulas and a deep red Bellis perennis.

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We always enjoy our first look out over the Tom Stuart-Smith gardens. We were not to be disappointed today.

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The autumn light emphasised the texture on this bronze sculpture and on the much newer tunnel archway which marks the way into the display gardens. It gave an all new look to the low slate walls around one of these gardens too. It again emphasised the texture but brought out extra colours too. The light similarly added colour to the plants and to the glass panels featured in another of the display gardens.

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A wander back through the Stuart-Smith gardens gave us the chance to see the planting in a different light. As the afternoon had progressed the sun dropped down lower and was back-lighting the plants, giving a very different perspective.

 

 

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The Rose Walk was still remarkably colourful with Roses, Cleomes and Verbena bonariensis still putting on strong performances. Butterflies and bees were still busy here too, the blooms having attracted them as they emerged hunting for sustenance as the temperatures rose slightly in the afternoon sunlight. You can see our long shadows cast across the border.

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From the long metal pergola we looked back over the Oudolf gardens and at the shrubs nearby and the butter yellow leaves of the Wisteria climbing over the framework.

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Now we can look forward to our final visit to Trentham for this year in readiness to publish the final episode in this series of posts. So far we have determined that gardens at Trentham are worthy of a visit any month of the year. Let us hope our December visit confirms it.

 

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Post 500 – Tom Stuart-Smith at Serge Hill 2

As promised we return to Serge Hill for the final part of my Post 500 series, where we will discover the garden Tom Stuart-Smith designed for his sister and also take a look at his own meadow and prairie garden. (apologies for the poor quality of the photos but I was trying out a new camera for the first time)

His sister’s garden is designed to reflect her particular needs and interests, but it is easy to see his favourite plants and planting combinations throughout.

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I could’t resist taking the shot below. It looks as if he gardener was caught out by the arrival of all those visitors, so made a hasty retreat.

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The prairie garden was very popular, which made taking photos pretty difficult. In fact it was so busy when we arrived that we went off to explore the paths cut through the acres and acres of native wildflower meadows

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When we found a quieter moment in the Prairie we returned for a wander. It was a lovely contrast to the native meadows. I shall start with one of the favourite garden plants of both Jude the Undergardener and myself, Dianthus carthusianorum. We have a clump of three at home but here they were planted by the hundred. Incredible delicate looking wiry plant that moves in the slightest breeze.

 

 

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I had the pleasure of a quick talk with Tom Stuart-Smith himself and I proudly left his garden with a signed copy of his book under my arm, a book all about making his Barn Garden.

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garden design garden designers garden photography gardening gardens hardy perennials meadows National Garden Scheme ornamental grasses ornamental trees and shrubs The National Gardening Scheme" Tom Stuart-Smith Yellow Book Gardens

Post 500 – Tom Stuart-Smith at Serge Hill

As promised for the third in my week’s posts celebrating my 500th post we go down to Hertfordshire to explore Tom Stuart-Smith’s garden designs at his own home and the home of his sister. The family home at Serge Hill is surrounded by mature planting. The new gardens  designed by T S-S are within its grounds. When these gardens open they are very popular with thousands of visitors making an appearance. It looks very busy and taking photos is difficult as the gardens are only open for one day each year as part of the National Garden Scheme, so people find it in the famous Yellow Book. The friendly herd of Guernsey calves greeted every visitor. We wandered through the gardens around the house which had been there a long time but the influence of T S-S can be seen.

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In the gardens at Tom’s and his sister’s, both designed to suit their particular needs, we felt we had found the nearest to perfection in meadow planting, prairie planting and courtyard planting. Come with us and see what you think.

Firstly I shall share my photos of the courtyard at The Barn. It has an atmosphere of such calm. Those loungers must provide a wonderful place in which to relax and be content with the world. The rectangular corton steel pools with their sheets of water dyed black for extra reflection mirror so clearly the moving clouds and any overhanging plants. Looking into them it appears as if they are bottomless.

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The planting is so simple but effective. Every plant has its place and complements its partners perfectly. Chartreuse and purple flowers and bracts work together so well against their background of grasses and coloured foliage.

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Reaching the prairie we found fellow garden fellow visitors exploring every pathway that were winding throughout.

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Close by a huge area had been planted as a native wildflower meadow which provided a wonderful contrast to the more vibrant prairie. We shall look in greater detail at the prairie and meadow as well as Tom Stuart-Smith’s sister’s garden in the next post.

 

 

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Post 500 – Part Two – a further visit to the “Oudolf Field”

As promised I am returning to the beautiful county of Somerset where Jude and I spent a day exploring the exciting new “Oudolf Field” and the gallery buildings at the Hauser and Wirth’s Durslade Farm.

We left off as we were looking at the pool and giant clock. This is the first time we have seen any water designed into an Oudolf designed garden and indeed the first one to include a giant clock. The pool afforded clear reflections of the trees surrounding the site and was only planted around the margin closest to the buildings to give the maximum area of reflecting water.

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The tall clock towers over the pool and its white face stands out against the brightness of the blue sky. I would imagine it would look great against black clouds too! It casts a beautiful lollipop shadow across the golden gravel. Its face looks like a big circular disc but it is in reality asymmetric in design, which causes the minute hand to move out into clear air as it moves into the narrow side.

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Although the planting is lower than in his previous gardens Piet Oudolf still uses many of his favourite plants such as Sanguisorbas, Echinaceas, Verbenas and Heleniums.

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We had a break for coffee and to look around the galleries before wandering the gardens again as the sun dropped slowly in the sky and the light gave the meadows a fresh look.

We were enthralled by a gallery where a display of Oudolf’s garden designs helps reveal how this garden designer’s mind works. We loved the designs and working drawings and “idea jottings” of this garden here in Somerset as well as those from the New York High Line and the Wisley Garden.

Moving from gallery to gallery each courtyard space is softened by more of Oudolf’s plantings, featuring trees underplanted with grasses and perennials. The sculptural pieces sit comfortably among the old farm buildings with their richly textured surfaces.

2014 10 04_5429 2014 10 04_5431 2014 10 04_5432 2014 10 04_5433 2014 10 04_5434 2014 10 04_5435 2014 10 04_5436 2014 10 04_5437 2014 10 04_5438 2014 10 04_5518 2014 10 04_5517

2014 10 04_5521 2014 10 04_5522 2014 10 04_5524 2014 10 04_5525 2014 10 04_5526 2014 10 04_5527 2014 10 04_5528 2014 10 04_55292014 10 04_5531 2014 10 04_5532

Enjoy the gallery of photos taken in the sparkling late afternoon light. It is amazing how different plantings can look as the light changes within just a few hours at this time of year.

The next post in my 500 Celebration series will find us over in Hertfordshire where Tom Stuart-Smith lives. We had the privilege of visiting his own garden and the one he designed for his sister.

 

 

 

 

 

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