Category: outdoor sculpture

A Week of Culture – Part 4 – The Hepworth Wakefield Gallery

Post author By greenbenchramblings
Post date February 13, 2014

Part Four of our culture week sees us visiting the new Hepworth Wakefield Gallery within the city of Wakefield in Yorkshire. Wakefield has been graced with a new gallery partly dedicated to the work of Barbara Hepworth as it was the city of her birth.

We had seen photographs of this newly constructed gallery and had wanteded to visit since its opening. The building itself is an imposing grey structure based on slightly irregular cubes and cuboids. A long dramatic walkway over the canal took us over moored barges with their wood fires adding the aroma of burning wood to the misty damp atmosphere.

From the walkway we spied this character hanging from a crane in the metal reclamation yard alongside the canal. He is made up of all sorts of scrap materials and from a distance he looks as if he is made of huge sweets – liquorice allsorts.

As we got close to the entrance we realised just how vast this gallery is with its grey slabbed sides rising up above us.

Inside, the building is equally dramatic with deeper greys and black being the dominant colours in the spaces outside the gallery rooms themselves, which as expected are all of a stark white. The outside surfaces are matt in sharp contrast with the shining interiors.

With all these straight lines and monochrome surfaces that constitute the fabric of the buiding the art work on show would need to be good and well displayed to brighten the visitors’ experience along with some comfortable seating on which to sit and appreciate the art works. People also make a difference and we received a warm welcome from the smiling face behind the reception desk.

The first gallery contained a couple of pieces by British sculptor Henry Moore – Reclining Figures. They looked good with plenty of space around them and with bright even lighting. But our warm welcome from the receptionist was somewhat negated by the steward in this room who called across at me “You are not allowed to touch them!” when I was pointing out a particularly nice curved line. Sadly because of this we didn’t stay so I failed to photograph Moore’s work. We put it down to bad training and moved on quickly to the next gallery where a delightful surprise awaited us.

We were taken aback as we were confronted by a crazily overcrowded room set. This was the collection of William Alfred Ismay. At first it looked a jumble of worthless pieces of junk thrown together in what is often put forward by some artists as sculpture. We once saw a garden shed in a gallery full of old dusty tools looking as if it had been lifted from a vegetable patch and dropped in the gallery – it even had a radio playing. The gallery presented it as an important installation and went on to propound its value as a work of art. We didn’t buy into that and we had a feeling we might be in for a similar experience here. But no! Here was a collection accumulated over decades by a local Wakefield librarian who became an obsessive collector of quality ceramics. His home became filled to the brim with them covering every surface even the table at which he ate his meals, leaving a little gap just big enough for his plate! A close look among the jumble of items led us to discover pieces from potters whose work we recognised. Most of the well-known 20th century potters and ceramists were in fact represented. Wandering around the room set became a voyage of discovery picking out beautiful pieces from amongt the cheap white goods of his era. The pieces were displayed on pieces of Ismay’s furniture and the whole set up was like looking into his house with the walls stripped away.

In the gallery where Ismays collection was displayed we were again made to feel uncomfortable. A black line surrounded the display and a sign asked visitors not to step over it. Sadly as we walked around the young room stewards followed our every move keeping a close eye on our feet. This must again reflect their training because when we engaged them in conversation they were very pleasant, knowledgeable and enthusiastic.

The third gallery we entered was spotlighting the work of American artist Dana Schutz. This is the New York based painter’s first UK exhibition. Her large extremely colourful work did not appeal to either myself or Jude as we found them disturbing in an unpleasant way. This gallery though did give them the space needed to appreciate them coupled with excellent lighting. If you were a Schulz fan you would have appreciated how good they looked in this setting. You can see the hard surface of the bench here. It didn’t invite you to sit and peruse the paintings and did nothing to soften the hard lines of the building and whiteness of the room. Comfortable benches which invite the visitor to sit and consider a piece in more depth are sadly lacking throughout the gallery.

We moved through galleries displaying the work of Albert Wainwright whose work varied a great deal, from simple book and magazine illustrations to landscapes of Northern England and the occasional poster. Photography was not permitted in this room.

We moved on to Galleries 4,5 and 6 where the work of Barbara Hepworth was on show. Her work suited the style of gallery with their huge walls of glass which let the light stream in. The views out of these windows were out over the river towards the city.

We were pleased to see a full sized prototype of the well known piece “Winged Figure” which was designed to grace the John Lewis store in Oxford Street. We think of Hepworth as being just a sculptor so it was interesting to see some of her 2-D graphic works. It was a great privilege to get really close to this iconic piece and see the variety of textured surfaces.

It was strange to see some of her work in glass cases but I can appreciate that these particular pieces are delicate.

Enjoy this set of photos showing the variety of Hepworth’s work.

If we look at the following set of 5 photos we can see they feature a similar simple circle. The first photo is a close up of the last piece in the set of photos above, then we have a photo of the whole of a different piece of work followed by a close up of it. The final shot looks as if it fits with them but all it is is a shot I took accidentally as I walked through the gallery. I was carrying the phone set on camera mode facing down and inadvertently took a photo of the floor with a circle of an electric socket cover. Strangely in keeping!

We finished our visit by going back outside to look at the rest of the building itself and a few pieces displayed on the grassed areas alongside, including more of the Barbara Hepworth “Family of Man” pieces some of which we had already enjoyed at the sculpture park.

We were also able to view the old mill building, The Calder, which will hold exhibitions in conjunction with the Hepworth Wakefield. These old warehouses present a stark contrast to the modern geometric architecture of the new gallery close by.

So that is two parts of the Yorkshire Sculpture Triangle visited which just leaves the venues in Leeds, The Henry Moore Institute and the Leeds Art Gallery, to discover sometime in the future.

Tags art galleries, Barbara Hepworth, Henry Moore, Hepworth Wakefield Gallery, North of England, outdoor sculpture, sculpture, Wakefield, Yorkshire

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A Week of Culture – Part Three – My Favourites at the YSP

Post author By greenbenchramblings
Post date February 10, 2014
2 Comments on A Week of Culture – Part Three – My Favourites at the YSP

For this third post in the Week of culture I promised to share with you some of my favourite scultptors who have created pieces to display outdoors. Yorkshire Sculpture Park is the ideal setting with its acres of grounds which was an area of parkland associated with a grand house. The sloping hillsides, the lake and woodland areas provide ideal settings for pieces of outdoor sculpture for both pure sculptors and land artists.

On our visit this winter the favourites we enjoyed were Barbara Hepworth, Henry Moore, David Nash and Richard Long.

I shall begin with a piece by Richard Long simply because this is the first time we have ever seen any of his work. Much of his work is based on a line, a walk or circles. He is the best known British land artist famous for his work made while walking. He has been honoured with a CBE for his art, the land art, sculpture, photography and paintings and in 1989 received the Turner Prize. At the sculpture park we had to walk along the shores of the lake through woodlands before we found this piece. The photo was taken on my i Pad so do not do the piece justice. The stone pieces were of red sandstone.

My second artist to feature is David Nash who has a few pieces permanently at Yorkshire Sculpture Park but we have also seen a massive exhibition of hs work here a few year ago after his year as artist in residence there. Both pieces we saw on this visit are in the woodland with one on the banks of the lake on the shore between the wood and the water.

The first of his works we found was entitled “71 Steps” and it climbed a hillside up through the wooded slope. The first few photos are to set the scene.

Close by we spotted these beautiful pieces of wood and tree sculpted by Mother Nature and reflected in the water. They were flowing out into the lake.

The second of the David Nash pieces was closer to the water’s edge between the trees and the biscuit coloured leaves. Just like the steps the wood had been scorched by burning. Sadly the camera on my i Pad couldn’t cope with the contrasts so the beautiful colour of the dried reeds has burnt out.

On a piece of rough ground close to the lake we came across a builder’s store where old bricks and building stones were being kept whilst work was being completed on an old chapel in the grounds. We couldn’t help but wonder what a good land artist would have created using these pieces! Close by mother Nature had created a piece of her own land art based on a fallen tree.

Barbara Hepworth’s work is well represented here at the sculpture park as her pieces called the “Family of Man” are displayed most sympathetically on a sloping piece of sparcely planted woodland. On the way to find these pieces we passed this interesting sign where the face of our Labour Party leader had been added. Similar photos of faces had been pasted to trees but the weather had got the better of these.

I have included some close up photos of a few of the pieces by Barbara Hepworth to show where the hand of the artist has left her marks. I enjoy studying the texture of any piece of sculpture as it can be as important as the overall shape of the work.

The bark of this tree caught my eye as we moved between the Barbara Hepworth pieces. It was the texture that attracted me and the pattern of diamonds sculpted into the bark. Even the carved graffiti seemed to add to the character of the tree, telling a part of its story.

You can see from the photo of Jude below that the weather was not making wandering around the site too easy. The ground beneath our feet was very slippery. This meant that when we came to seek out the work of Henry Moore we found it difficult to get to them as the ground was impossible to walk on due to the steep sloping land where they were situated.

But we can enjoy this one piece.

For part 4 of this week of culture we move on to the Hepworth Wakefield Gallery in the city of Wakefield itself.

Tags Barbara Hepworth, David Nash, garden sculpture, Henry Moore, outdoor sculpture, Richard Long, sculpture, Yorkshire, Yorkshire Sculpture Park

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A Week of Culture – Part 2 – Yorkshire Sculpture Park

Post author By greenbenchramblings
Post date February 8, 2014
4 Comments on A Week of Culture – Part 2 – Yorkshire Sculpture Park

At least once a year we go to the Yorkshire Sculpture Park so it was bound to be one of the venues on our cultural holiday. It is always a cold place and often wet and windy. We were bound to have rough weather as we were visiting in January during a particularly wet, windy winter. Thank goodness for the coffee shop which provided us several opportunities to warm back up. We arrived before it opened and became so absorbed in the special nature of this place that we left as the grounds were closing.

The four featured artists in early 2014 are Angie Lewin, Tom Price, Dennis Oppenheim and Awar Kanwatr, but as always there are resident pieces all around. Most of the pieces are sympathetically displayed around the grounds in the open grassland, under trees, alongside the lake and on grassed slopes. There is also a gallery where work can be displayed. It is a stunning building with galleries that provide beautiful display spaces. The first of the photos below show the building from the front whereas the second shows how it fits into the slope of the garden hidden by its green roof. All the lawn here is in fact the roof of the galleries.

The original red-bricked wall of the walled garden and its bothy are still here providing unusual display spaces. Alongside the wall we found these “sound benches” part of an exhibition of work by Amar Kanwar, a combination of film and installation.

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The Bothy Gallery itself featured some of the work of sculpture Tom Price. Small bronzes are here to enjoy close up and a huge 9 feet tall figure entitled “Network” was to be searched for in the grounds. I found his work fascinating so it was a wonderful experience being so close to his pieces and his subjects are contemporary people worked in the traditional medium of bronze.

We have enjoyed the work of some great artists here in the past, David Nash, Andy Goldsworthy etc and the artist we were primarily focusing on during this visit was Angie Lewin. We usually come here to look at the work of sculptors or land artists but Angie Lewin is an artist and designer who works in watercolours as well as prints using the techniques of a woodcut, lino cut, screen prints and lithography with much of her work being used as book or magazine illustrations. The natural world is her main stimulus especially skeletal seed heads against the sky. I love her work finding it fresh and lively as well as original. Enjoy this little montage of her work.

To be given the opportunity to view her sketchbooks was a delight and I was tempted to purchase a book of her work after seeing so many beautiful pieces.

But of course there was lots more to see, including a few pieces we seek out in the grounds on every visit. Works by Henry Moore, Barbara Hepworth, James Turrell and Antony Gormley.

As we returned to the centre after enjoying our wander around the grounds we discovered another interesting and unexpected piece of work. Every space available is used to provide original and effective display galleries, in this case even a stairway. These little ceramic creatures in a piece called “Infestation” are the work of Anna Collette Hunt and provide great entertainment as you climb the stairs.

This day’s cultural visit was to be the first of two days at Wakefield. The following day we went in search of the Hepworth Wakefield Gallery within the city itself. These two venues are two out of the three that make up the “Yorkshire Sculpture Triangle”. After this cultural holiday we will just have the one of the three corners of the triangles left to see, the city of Leeds. This comprises the Leeds Art Gallery and the Henry Moore Institute. We will soon be planning a few more days away to discover what that venue has to offer. To find out more about the triangle of galleries visit ysculpture.co.uk.

To re-visit the Yorkshire Sculpture Park when I share my favourite sculptors with you see my next blog in the “Week of Culture” series of posts.

Tags Angie Lewin, Barbara Hepworth, David Nash, Henry Moore, Yorkshire, Yorkshire Sculpture Park

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A Week of Culture – Part One – Hardwick Hall

Post author By greenbenchramblings
Post date February 6, 2014
4 Comments on A Week of Culture – Part One – Hardwick Hall

We spent a few cold January days up in Derbyshire and Yorkshire for a culture fix. It was extremely cold and occasional rain and hail storms lashed us but we did not give in. We bravely went onward defying whatever the weather threw at us and enjoyed every moment. Day one of our winter adventure found us stopping off in Derbyshire at Hardwick Hall for a spot of architecture appreciation.

Although the day was a memorable one, not all the memories were happy ones as my trusty friend my Nikon DSLR packed up and it did not allow me to focus or use flash so it is now being looked at in the camera hospital at Nikon UK. Fingers crossed for a speedy recovery. Isn’t it devastating when your camera goes awry? So all the pics following are taken on my Samsung Galaxy Phone, which does have a quality camera, thank goodness.

The grounds of Hardwick Hall , now under the auspices of the National Trust, is unusual in having two “big houses”. The newer hall was built in the late 1500’s by Bess of Hardwick, a powerful woman at a time when powerful women were few and far between. She wanted everyone to now how important she was hence the size of Hardwick. She features her initials all over the building including huge letters along the top of the building The letter E refers to her name Elizabeth and the S refers to Shrewsbury. She married George Talbot who was the Earl of Shrewsbury at the time making Bess Countess of Shrewsbury. No-one could have visited this place when she was there without knowing how powerful she was.

From the rear gardens we were able to appreciate close views of the heritage cattle, the Shorthorns.

The gardens are small but the parklands are impressive and extensive. A range of buildings once stable blocks, workers’ cottages and workshops have been lovingly restored and put to good use as holiday cottages, shop, restaurant etc.

Signs of a recent den building activity day for children were in evidence in the grassed area enclosed by the stable block buildings, as were wood sculptures celebrating the skills of the craftsmen who would have helped to maintain the grounds at Hardwick. The carvings were created from trees that had been felled due to disease. Even the tables and chairs in one of the buildings celebrated the work of the estate millers.

We were highly impressed by the “green credentials” of the building revamp and felt it needed celebrating. Well done to the National Trust! As well as excellent insulation there are several innovative ideas in action. Water collected from the roofs is used to flush toilets, solar panels on the roofs pre-heats water to be used in the kitchen, heat generated by the condensers of the fridges and freezers is collected and the boiler is of a bio-mass type.

The more formal gardens are enclosed areas snuggly fitted close to the house surrounded by tall hedges so that each area is a surprise to the visitor. Some beautiful coppicing work in “The Nuttery” was evidence of the skilled gardeners here now. The trees here are Hazels, their prunings providing brash stacks for wildlife shelters.

We discovered some beautifully and skillfully trained and pruned plants, a rose and some Yew which brought a smile to our faces. It was cold day so a smile was most welcome! Just after taking these photos the sky turned black with heavy storm clouds, the temperature dropped, the wind speed increased and we were attacked by a ferocious hail storm. We took shelter in the entrance to the hall where I took these photos some showing the wet glossy paths to illustrate how wet it was.

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After sheltering out the time of the storm we looked for architectural details of the building and discovered these gems.

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So let us have a look at a few shots of the “new” hall before we explore the old hall.

As we approached the old hall, which was the family home of Bess, our first view was in silhouette. As we moved around the building the detail revealed itself.

As we passed through the gateway we came across this piece of stonework. We had no idea what it was but were interested to find another set of Bess’ initials. You can just about see them if you look really carefully.

A close up look around the tall walls of the old hall showed how beautiful it must have been. It had a certain beauty even in decay.

We were drawn to the signs of old plaster work hanging on the inside walls.

Many old windows and doors had been filled in at various times and this resulted in what appeared as framed textured paintings. Beautiful!

As we walked away from the old hall I looked back and took this shot of it as the sky cleared and the sun returned.

As we returned to the car park the sun was setting behind the tall trees alongside the path showing just how long we had been discovering the delights of the old halls at Hardwick. We also came across this stone sculpture based on seeds found in the grounds.

We travelled further North and made our way out of Derbyshire into Yorkshire where we stayed a few days in Wakefield. Here we would experience more of our culture fixes.

Tags Derbyshire, garden photography, Hardwick Hall. architecture, National Trust, outdoor sculpture, sculpture, winter gardens

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A Garden in January – Trentham – Part Two

Post author By greenbenchramblings
Post date January 28, 2014
4 Comments on A Garden in January – Trentham – Part Two

Welcome back to Trentham in January where we find ourselves in the part of the garden featuring the Italian Garden re-designed by Tom Stuart-Smith.

From the raised terraces of the Italian Parterre we can see how symmetrical and rigid the structure is. Tom Stuart-Smith has designed a brilliant garden within this structure using grasses and perennials similar to those used by Piet Oudolf. If anything the planting is more varied. The impressive thing about his design is the way soft flowing plant combinations can look so good in a formal setting.

I always particularly like these corner beds with their plantings of low grasses, sedum, phlomis, marjoram and knautia. The little box edging is a most effective foil for the softness of the planting.

Our walk around Tom Stuart-Smiths plantings was interrupted by a shower of freezing rain accompanied by cold winds. We sheltered in the loggia conveniently located nearby. This afforded us a good view over much of this area.

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We managed another five minutes exploration of this garden when the heavens opened once again. Conveniently by this time we were close to the coffee shop which is always our half way stopping point so we retreated to enjoy a welcomed beverage and slice of something sweet. The cafe is housed in a beautifully designed modern building based on a semi-circle. It sits snuggly within a clump of trees. The seating fits all around the floor to ceiling windows giving great views over the Tom S-S gardens.

The wind was moving the grasses around and skewing the water in the fountains. It illustrated how important grasses can be in any garden, as even the slightest breeze sets them waving.

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Within the grasses the seedheads of the perennials were the stars of the show.

The garden team were busy cutting down the perennials in the beds which had been worst effected by the winter weather. If you look carefully you may spot the one gardener’s amusing headgear! When she bent over it looked as if it was Yogi Bear doing the work!

We made a diversion into the area beyond the cafe and tall trees where the show gardens are. We found a few new gardens including a “Stumpery” (a favourite garden feature of Mrs Greenbench) and this row of colourful dogwoods, Cornus Midwinter Fire.

The glass panels in one of the gardens looked brilliant alongside the russet coloured grasses.

Close to the cafe is an area for children’s play with climbing frames, a maze, a bare foot walk, road ways for sit-on toys and these superb sandpits. Because of the poor weather they were sadly deserted today but they are usually very popular. It is so good to see children absorbed in play that does not involve screens or batteries!

As we neared the end of our wander we walked beneath the metal archways of the “Trellis Walk” running alongside the David Roses border. Here there were roses still trying to bloom and others with hips on. The gardens are maintained organically so within these borders we found lovely insect shelters and clumps of Phacelia plants both designed to bring in beneficial insects. Four beautiful relief panels were spread out along the border depicting different garden movements from the past. We could see through the trellis walkway back to the “River of Grasses” and in the ever-darkening late afternoon light the grasses really seemed to glow. We now look forward to re-visiting in February to see what is going on.

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Strands – Discovering a Beach – Part One

Post author By greenbenchramblings
Post date December 27, 2013
4 Comments on Strands – Discovering a Beach – Part One

To help us forget the winter and escape the winter blues I will write a series about a day at a beach in North Wales. We spent the day on a lovely windswept stretch of beach near Conwy. We are big beach lovers and this has been favourite for decades. It is so different every single time we visit it. We have loved walks here on hot sunny days under bright blue skies, freezing cold days wrapped in thick coats, scarves and hats under clear thin blue winter skies, windswept days under heavy grey clouds and wet days when we walk heads down and hoods up.

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We never know what to expect, how much sand there will be, whether the sand will be smooth or deeply rippled, whether the strandline will be full of feathers, driftwood and seaweed and whether the boulders and pebbles will be exposed. We love discovering driftwood of whatever size or shape, but always of course smooth as velvet, ground down by the power of the sea. We have found tiny curly bits of heather roots, old sections of telegraph poles, bits of boats of all sizes and parts of trees from who knows where. We often find sections of buildings, clumps of bricks or stone, some locked together by twisted lengths of metal red with rust. Sea Gull feathers stick out of the strandline debris at all angles, all grey, white or black. Sadly we find lots of plastic, the worse type of the debris of man and his throw away society. On 26th September 2013 we came to our beach to celebrate Jude, aka Mrs Greenbench, aka The Undergardener’s birthday. We usually celebrate each other’s birthdays by having special days out. This special day was a cold one, so we were wrapped up well against the cold wind. It is invariably cold here, just some days it is a lot windier than others. I have recently read a book called “Strands. A Year of Discoveries on the Beach” by poet Jean Sprackland, which featured her own favourite stretch of beach. In it she describes those little clumps of artefacts, the miscellany of collected objects that the wind brings together and deposits on the strandline where an obstacle takes it from the clutches of the wind. “The sea itself makes its own strange artefacts, combining rope and wood and miscellaneous plant material into eclectic tangles known as “mare’s nests”, a name which describes their muddle and untidiness as well as their illusory and paradoxical nature.”

An artist has been at work creating pictures in the sand, the sea itself. The receding tide becomes its paintbrush leaving patterns of light and shade.

As we move along the beach the colour of the sand varies sometimes a purer silver as in the last photo in this batch but at other times it is more of a buff colour as in the first pic.

The powerful influence of the artist tides encourages even the least creative of people to make art. They collect and sort stones, pebbles and wood and make pictures and sculptures in the sand and on the grass strip beyond.

The seashore possesses a flora all its own. Flowers and leaves which are spotted nowhere else, with thickened stems, white backed leaves and other tactics to help withstand the attacks from the salt laden sea air. We are frequently tempted to walk up the sands over the pebbles and study the greenery.

We soon return to our searching of the strandline, heads down eyes wide. We spot pebbles with interesting textures, with narrow white lines on as if drawn by pen or paint brush, or lines of seaweed.

A few years back we decided to see if we could collect together a pocket full of pebbles with white lines on, with the intention of creating a circle. We managed to do this and created a circle of quartz lines, but added one black line for interest.

You may have noticed that in several of these pictures the pebbles are actually smoothed down building materials. Look at the beach sculptures and spot the one piece made entirely of sea worn old bricks. The sea has enough power to smooth off sharp corners, remove glazed sides and gently round bricks and concrete blocks into pebbles. Similarly sea glass appears just like pebble gems.

In our second visit to our beach we will be searching these out. See you in Strands Part Two.

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Another visit to The Dingle

Post author By greenbenchramblings
Post date December 18, 2013
6 Comments on Another visit to The Dingle

Just half an hour drive from our home is the Welsh town of Welshpool and close to it the wonderful gardens and family owned and run nursery at The Dingle. It is a garden on a slope with paths taking you on a gentle downhill journey to the bottom of the valley where a lake awaits with its colourful reflections. The Dingle is a woodland garden situated in a Welsh valley and boasts its own nursery which specialises in trees but stocks equally varied quality herbaceous plants, grasses and shrubs.

Whatever season you visit this gem of a garden there is so much to appreciate, especially shrubs and small trees. Around every corner the visiting gardener can find inspiration that stimulate fresh ideas to use.

Contrasts in foliage colour and texture are evident in the carefully chosen groupings of shrubs and small trees.

Of equal importance are the specimen trees and shrubs, the ones that need to be appreciated for their individual beauty. The beauty in autumn is in the leaf colour and in the colour, texture and patterns of the bark.

The trouble with gardens so full of special trees and shrubs is that you can forget to look down or to look at the detail right in front of your nose, flowers at ground level such as the Liriope, bright berries dangling at branches’ end and grasses that wave their flower heads at you in the gentlest breeze.

But there is so much to see around every corner, at your feet, just in front of you and way up high. Come with us now as we wander slowly down the gently sloping gravel paths through beautifully varied plantings of trees and shrubs with occasional flowering plants at our feet. Just click on the first photo and then use the right arrow to navigate. Enjoy the Dingle! Look out for my brother-in-law Tony lurking in the bushes with camera in hand! He is hard to spot even though he is in a brightly coloured yellow jacket.

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The Gardens at Newport House

Post author By greenbenchramblings
Post date November 10, 2013
2 Comments on The Gardens at Newport House

As promised we return to Newport House to concentrate more on the gardens. The pictures above show the enclosed courtyard gardens behind the cafe building. From there we moved on towards the gardens in front of the house.

The view across open expanses of lawn was broken by the sight of this magnificent Sweet Chestnut which was made all the more magnificent by tree house lovingly crafted to embrace the trunks and main boughs.

Formal Italian styled gardens with frameworks of low box hedging were cut into the lawns but inside these box structures was soft herbaceous plantings.

Further pieces of sculpture were positioned within these plantings and on the lawn itself.

A particular favourite piece of all four of us was positioned to frame the lake and woodlands beyond.

From the lower branches of trees hung other pieces such as these steel spheres.

Mother Nature herself was not to be outdone, so she cut these gently curving lines into an old stump of a felled tree. Around the other side of the stump we found that it had been carved into a giant story telling chair with other small wooden seats scattered in front of it.

We were delighted to stumble across these pieces of Land Art created using pieces of natural materials found within the garden as part of a recent workshop.

A small arboretum featured some interesting young trees which looked particularly good in their early autumn foliage colours. The tree below on the right was a stunning Crataegus and one that none of us recognised and the following two pics show the leaves and haws closer up. I have since found out it is Crataegus orientalis.

This tree in the following two pictures was another Crataegus – prunifolia I think. After that the two photos following are of a tree with a neat habit, but again it was one we did not recognise. I thought it could possibly have been a Nyssa sylvatica but I shall have to check it out.

This lovely curved bed of coloured stemmed dogwoods acted as a boundary to the arboretum. The Cornus were displaying their rich red colours of autumn.

The next tree featured in the photos below is probably the best variety of Ash you can get, Fraxinus angustifolia “Raywood”, the Claret Ash.

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Leaving the arboretum, after enjoying studying the selection of interesting trees, we wandered off towards the walled garden, passing a ditch crossed by a bridge formed from the roots of the native Ash alongside.

The walled garden itself was fascinating with unusual features to enjoy. The first photo below shows a peach canopy. The gardener’s cottage had been beautifully restored as had the greenhouses.

The pergolas which bridged the central paths was made of iron and were beautifully decorated.

So, although we came to Newport House to see the outdoor sculpture we found much to interest us in the gardens themselves.

Tags autumn, autumn colours, community gardening, cornus, dogwoods, foliage, fruit and veg, fruit and vegetable growing, garden sculpture, gardening, Herefordshire, Herefordshire gardens, outdoor sculpture, sculpture, trees, walled gardens

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Out of Nature – an outdoor sculpture exhibition.

Post author By greenbenchramblings
Post date November 7, 2013
3 Comments on Out of Nature – an outdoor sculpture exhibition.

“Out of Nature” was the name given to a sculpture exhibition staged in Newport House in Herefordshire situated a little south of Kington. Most of the pieces were displayed in the sensitive background of the gardens but a few were featured in the cafe. The photo above shows how simple staging can be very effective and can enhance the pieces themselves especially those created from stone or metal. The staging was simply recycled scaffold planks as shelving and breeze block stands.

On the lawn alongside the entrance to the cafe this semi-transparent piece glowed and demanded a closer look.

Behind the buildings was a series of small brick enclosed gardens and here the light of early autumn gave extra vibrancy to the sculpture pieces.

Leaving the enclosed gardens we walked through an avenue where each tree displayed hanging metal pieces.

The walled garden was a short walk down the drive and along a trackway where we found an archway in the tall brick walls. Through this we found old restored greenhouses where sculptures were displayed. We found others lining the path to the greenhouses.

The gardens themselves had many attractive features and are worth a visit in their own right, so my my next blog will give you a taste of what they have to offer.

Tags community gardening, garden photography, gardening, outdoor sculpture, sculpture

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Awards and Wet Weather in Cleethorpes

Post author By greenbenchramblings
Post date November 3, 2013
7 Comments on Awards and Wet Weather in Cleethorpes

We have just returned from a weekend up on the Lincolnshire coast. We had been invited to attend the RHS Britain in Bloom award ceremony at Cleethorpes’ Beechcomber Entertainment Centre, a rather strange place harking back to the days of Butlins Holiday Camps. We were there to represent our Allotment Community as I am chairman and Jude is secretary to the management committee. We had to attend the ceremony on Saturday eve so decided to make a weekend of it.

The award ceremony was very successful for us, the rest of the weekend less so. But we are gardeners and hardy folk so we were not going to let the wild weather beat us. At the ceremony we proudly received an RHS National Award of Distinction. This was a result of our awards Bowbrook Allotment Community received at the RHS Its Your Neighbourhood Award Ceremony in Birmingham in September, a “Level 5 Outstanding Award” and two RHS Discretionary Awards, the “Community Gardening Award” and one awarded to me for “Outstanding Merit Award for Leadership in Community Gardening”. We came away with some beautiful cut glass trophies as well as our certificates.

The east coast of England was battered by winds and heavy rain over the weekend but being a hardy pair we carried on regardless and enjoyed a bracing walk along the promenade. The gardens here had been recently renovated and were neatly kept. We are not fans of bedding plants formally planted nor of conifers but admired the gardeners handiwork none the less. Sculpture pieces featured along the promenade gardens.

All the photos were taken through pouring rain and often through a filter of rain drops on the lens filter glass.

Cleethorpes had become run down but is experiencing a bit of a revival and civic pride seems to be returning. However some of the traditional buildings of seaside resorts were looking worse for wear especially emerging from the gloom of the day.

But we weren’t the only brave souls defying the elements. Dog walkers, fishermen, the seaside donkeys and windsurfers were equally defiant.

Drying out after our promenade along the sea front took some time but the seaside in rough weather has its own specific charm about it. It was heartening to see a seaside town trying to reinvent itself using gardens as a starting point, a good way to create some pride in a place.