Tag: outdoor sculpture

A Garden in May – Trentham

Post author By greenbenchramblings
Post date June 10, 2014
3 Comments on A Garden in May – Trentham

Here we are with post number 5 of this series looking at the gardens at Trentham where we are trying to discover if Trentham really is a “garden of all seasons”. For our May visit we were hoping for better weather as rain has greeted us on every other visit. It may seem a bit late to be posting this post but we have been so busy getting our garden ready for our summer visitors and the allotment community gardens ready for our NGS Open Day we are now behind with everything. We are getting behind at being late!

But the day dawned wet yet again.

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We were amazed by the number of people around and the queue of visitors waiting to get through the turn styles. The majority of these visitors were young families. Soon we saw clues about what was going on – balloons, bunting and banners. It all pointed to the day being a special one for Trentham Gardens – their 10th birthday since reopening.

The area called the River of Grasses designed by Piet Oudolf has gained a lot of patches of colour from perennials among the strongly growing grasses. Persicaria bistorta, Amsonia and Trollius were particularly in evidence.

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When we moved into the Piet Oudolf prairie borders we noticed that the growth of the herbaceous plants since out last visits was amazing.

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After enjoying the fresh colours in this area we wandered across neatly mown grass towards the Italianate Garden, and on the way we passed the Hornbeam Arbour and through a Hornbeam archway. We found evidence of the newly cut area where seagulls of crocus and snowdrops were earlier in the year (see earlier posts in this series). Now they appear as ghosts in the grass.

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In the Italianate Garden the gardeners were planting out large specimens of Cannas with huge incredibly marked and coloured leaves.

From the Italianate Garden we get our first views of the garden designed by Tom Stuart-Smith, where he imposed modern style herbaceous plantings onto the original Italian Garden. Since last month these borders are showing so much colour and to begin with it is hard to identify what plants are providing all the colour.

Closer up we found the colour was from Alliums, Euphorbias, Amsonias, Irises, Rogersias and Astrantias. Enjoy a tour of these borders.

Last time we were here the gardens above the Tom Stuart-Smith borders was yellow with daffodils naturalised in the grassed banks. On this visit the colour was purple and it was provided by hundreds of purple globes of Alliums. A young photographer was snapping away.

A new woven figure has appeared on the grassed banks.

More Alliums were naturalised in the grass beneath the mature trees from the otiginal parkland plantings. They added colour to our walk over to look at the Display Gardens.

Here the newly planted gardens were taking shape.

As always our wanderings around the gardens at Trentham finish with a walk along the Rose Walkway. Yet more Alliums grew here in between the roses.

Wisterias were flowering as they climbed over the metalwork and added colour and scent to our walk.

We came across this pink flowered shrub which although we had seen it before we could not remember what it was. It was a beautiful shrub. Any ideas?

I finish our May wander of this amazing garden with a few views from the rose walk looking over the River of Grasses.

Tags foliage, garden photography, gardening, grasses, meadows, ornamental trees, outdoor sculpture, Piet Oudolf, shrubs, Tom Stuart-Smith, trees, Trentham Gardens

colours flowering bulbs garden buildings garden design garden photography garden seating gardening hardy perennials ornamental trees and shrubs outdoor sculpture recycling sculpture spring bulbs spring gardening town gardens trees water in the garden

An Artist’s Back Garden

I often write and share my photos of gardens open to the public, often large and under the auspices of the National Trust or affiliated to the Royal Horticultural Society or smaller and open under the Yellow Book (NGS) scheme. Recently I wrote about a small garden owned by our friend and fellow Hardy Plant Society member Anne, in a post simply called “Anne’s Garden”. I shall be writing more about such gardens in this occasional series of posts of which this is the second.

We spent a few days down in Surrey in April staying in the lovely town of Farnham where my brother, Graham and his wife Vicky live. We re-visited that great garden, Nymans and it was good to see it at a different at a different time of year. We enjoyed a walk on “The Downs” for the first time ever and a walk around the old town of Farnham for the first time in decades.

But breakfast outside on an unusually warm spring morning in Graham and Vicky’s garden made me collect my camera as the light was so good. The sun was low in the sky so lit up the tiniest detail and the gentlest textures. Come with me and look through the lens of my trusty Nikon as we look around this artist’s garden.

One step out of the side door and immediately we have a clue as to what to expect.

The first view of the back garden shows how long and thin it is and how beautifully planted, and a look down the garden also finds Jude the Undergardener and my brother Graham enjoying breakfast in the sun.

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Sculptural pieces are found within the borders and look natural alongside the plants snuggling up to them.

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Effective plant combinations are a strength of this garden, where foliage plays a key role.

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But specimen plants stand out and make you stop for a second closer look.

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Containers of all shapes and sizes and made from all sorts of materials add more interest.

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Early morning is definitely the time for shadows.

Close to the house the shady border is full of promise with new growth breaking through the soil with the ferns looking particularly dramatic.

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An artist’s garden has to be full of interesting objects and happenings.

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An artist must have a studio and what better place for it but at the bottom of the garden! Close by is a closely planted group of Mountain Ash, sown by birds – a great feature which I have never seen before. Well done the birds!

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But one thing that no gardener wants in the garden is snails and this garden is full of them! On the plants, climbing the fences, the house walls and even climbing up the window panes. They are everywhere!

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So we shall finish off this look at Graham and Vicky’s garden with a few shots of the front garden, the last shot showing Graham kindly digging up a plant for us to take home for our own garden.

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The next post in this occasional series about our friends’ gardens will feature a woodland garden of friends Pauline and Derek.

Tags Farnham, foliage, foliage plants, garden photography, gardening, outdoor sculpture, spring bulbs, town gardens, trees

Italian style gardens outdoor sculpture Uncategorized

A Garden in March – Trentham

Post author By greenbenchramblings
Post date March 28, 2014
2 Comments on A Garden in March – Trentham

This post sees us visiting one of our favourite gardens to visit, Trentham, for the third time this year.

panorama trentham

We were hoping for slightly better weather for our March wander but it was cold and mostly overcast. The breeze was icy enough to make our eyes and noses run!

Passing over the bridge over the River Trent we get our first glimpse of the gardens and at first sight little has changed in Piet Oudolf’s River of Grasses. There remains a lot of straw coloured stems mostly now cut low to the ground but within them we found one lonely daffodil blooming away cheerfully. A joke by a gardener perhaps? A rogue that came in a wheelbarrow from the compost heap? Beneath the trees in the sweep of River Birches the chatreuse bracts of the euphorbias glow like swarms of glow Worm.

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Moving into the Piet Oudolf prairie borders there are signs of strong growth on many perennials especially the Thalictrum, Papavers and Monardas. Beneath the old Yew trees the circles of Cyclamen continue to bloom for the third month running.

The only change with the Hornbeam arbour is that the leaf buds are on the verge of bursting and the gardeners have painted the bench. Nearby we found seagull shaped areas of crocus in the lawns just as last month we had found them created from snowdrops.

Moving through the Hornbeam tunnel we discovered that the Helebores we enjoyed so much in February were still going strong. When we reached the Italian Garden with their formal beds we found much more colour than on previous visits with daffodils, pansies and primulas flowering within the box hedging. A splash of yellow from a Forsythia matched the golden blooms of the daffodils growing in the urns along the stone balustrades. They were lovely daffs with clear yellow colour throughout and long trumpets with slightly reflex petals (flying backwards!).

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The distant view over the Tom Stuart-Smith Italinate Garden looked much the same until we peered over the ballustrades and we immediately noticed a sea of blue mist. On closer inspection we discovered the colour was from masses of Scillas. It is a good year for Scillas – such common little bulbs but such a brilliant blue that enhances everything that is alongside it. We found them with the fresh bronze-purple filigree foliage of fennel, with narcissi and with another small bulb which I think may have been Chionodoxa.

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These huge, strongly bursting bulbs we believe may be Cardiocrinum gigantium. We shall find out on future visits.

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Moving from Tom Stuart-Smith’s garden towards the old parkland we came across a new addition to the collection of fairy sculpture dotted around the gardens. This new one is by far the best, a fairy blowing the seed parachutes from a dandelion seedhead. So delicate! My photos do not do it justice.

We were enjoying the sight of thousands of daffodils growing in the lawns when a sudden shower of icy rain and hail forced us to take an early coffee break but we were soon wandering again through the “display gardens”. You can see that the first picture of the daffs was taken through a haze of rain.

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Watch this space! One area of the display gardens was being re-developed so we shall have something new to discover on our April visit. There were some exiting metal structures going up but apart from that we couldn’t even guess what the gardeners and landscapers were up to.

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We took a detour into a part of the gardens that we did not even know existed – a short woodland trail. We couldn’t access it all as work was being done to the fire pit area but we liked what we saw. Sadly the visit to the bird hide was a waste as the multitude of bird feeders hanging there were empty! The woodland is alongside the lake and on the lakeside we found batches of this mysterious looking plant with yellow-green flowers in a tight umbrella shaped head. Does anyone recognise it?

Den building was an activity provided for the children and it looked as if they had been enjoying being creative.

Making our way back to the car we passed the rose border where perennials were coming into growth strongly. The view through to Piet Oudolf’s River of Grasses looked just as it did last month. The roses were making new growth especially the climbers. We found a colourful planting of hellebores and Brunnera “Jack Frost” as we left the garden which was a real bonus.

I shall close with my one successful photo of the fairy sculptures – at least one worked! So we are now looking forward to out April visit when there should be a lot of change. The growth rate will be accelerating nicely by then.

Tags garden sculpture, outdoor sculpture, Piet Oudolf, spring bulbs, spring flowers, spring garden, Staffordshire, Tom Stuart-Smith, Trentham Garden, Trentham Gardens

architecture canals outdoor sculpture Yorkshire

A Week of Culture – Part 4 – The Hepworth Wakefield Gallery

Post author By greenbenchramblings
Post date February 13, 2014

Part Four of our culture week sees us visiting the new Hepworth Wakefield Gallery within the city of Wakefield in Yorkshire. Wakefield has been graced with a new gallery partly dedicated to the work of Barbara Hepworth as it was the city of her birth.

We had seen photographs of this newly constructed gallery and had wanteded to visit since its opening. The building itself is an imposing grey structure based on slightly irregular cubes and cuboids. A long dramatic walkway over the canal took us over moored barges with their wood fires adding the aroma of burning wood to the misty damp atmosphere.

From the walkway we spied this character hanging from a crane in the metal reclamation yard alongside the canal. He is made up of all sorts of scrap materials and from a distance he looks as if he is made of huge sweets – liquorice allsorts.

As we got close to the entrance we realised just how vast this gallery is with its grey slabbed sides rising up above us.

Inside, the building is equally dramatic with deeper greys and black being the dominant colours in the spaces outside the gallery rooms themselves, which as expected are all of a stark white. The outside surfaces are matt in sharp contrast with the shining interiors.

With all these straight lines and monochrome surfaces that constitute the fabric of the buiding the art work on show would need to be good and well displayed to brighten the visitors’ experience along with some comfortable seating on which to sit and appreciate the art works. People also make a difference and we received a warm welcome from the smiling face behind the reception desk.

The first gallery contained a couple of pieces by British sculptor Henry Moore – Reclining Figures. They looked good with plenty of space around them and with bright even lighting. But our warm welcome from the receptionist was somewhat negated by the steward in this room who called across at me “You are not allowed to touch them!” when I was pointing out a particularly nice curved line. Sadly because of this we didn’t stay so I failed to photograph Moore’s work. We put it down to bad training and moved on quickly to the next gallery where a delightful surprise awaited us.

We were taken aback as we were confronted by a crazily overcrowded room set. This was the collection of William Alfred Ismay. At first it looked a jumble of worthless pieces of junk thrown together in what is often put forward by some artists as sculpture. We once saw a garden shed in a gallery full of old dusty tools looking as if it had been lifted from a vegetable patch and dropped in the gallery – it even had a radio playing. The gallery presented it as an important installation and went on to propound its value as a work of art. We didn’t buy into that and we had a feeling we might be in for a similar experience here. But no! Here was a collection accumulated over decades by a local Wakefield librarian who became an obsessive collector of quality ceramics. His home became filled to the brim with them covering every surface even the table at which he ate his meals, leaving a little gap just big enough for his plate! A close look among the jumble of items led us to discover pieces from potters whose work we recognised. Most of the well-known 20th century potters and ceramists were in fact represented. Wandering around the room set became a voyage of discovery picking out beautiful pieces from amongt the cheap white goods of his era. The pieces were displayed on pieces of Ismay’s furniture and the whole set up was like looking into his house with the walls stripped away.

In the gallery where Ismays collection was displayed we were again made to feel uncomfortable. A black line surrounded the display and a sign asked visitors not to step over it. Sadly as we walked around the young room stewards followed our every move keeping a close eye on our feet. This must again reflect their training because when we engaged them in conversation they were very pleasant, knowledgeable and enthusiastic.

The third gallery we entered was spotlighting the work of American artist Dana Schutz. This is the New York based painter’s first UK exhibition. Her large extremely colourful work did not appeal to either myself or Jude as we found them disturbing in an unpleasant way. This gallery though did give them the space needed to appreciate them coupled with excellent lighting. If you were a Schulz fan you would have appreciated how good they looked in this setting. You can see the hard surface of the bench here. It didn’t invite you to sit and peruse the paintings and did nothing to soften the hard lines of the building and whiteness of the room. Comfortable benches which invite the visitor to sit and consider a piece in more depth are sadly lacking throughout the gallery.

We moved through galleries displaying the work of Albert Wainwright whose work varied a great deal, from simple book and magazine illustrations to landscapes of Northern England and the occasional poster. Photography was not permitted in this room.

We moved on to Galleries 4,5 and 6 where the work of Barbara Hepworth was on show. Her work suited the style of gallery with their huge walls of glass which let the light stream in. The views out of these windows were out over the river towards the city.

We were pleased to see a full sized prototype of the well known piece “Winged Figure” which was designed to grace the John Lewis store in Oxford Street. We think of Hepworth as being just a sculptor so it was interesting to see some of her 2-D graphic works. It was a great privilege to get really close to this iconic piece and see the variety of textured surfaces.

It was strange to see some of her work in glass cases but I can appreciate that these particular pieces are delicate.

Enjoy this set of photos showing the variety of Hepworth’s work.

If we look at the following set of 5 photos we can see they feature a similar simple circle. The first photo is a close up of the last piece in the set of photos above, then we have a photo of the whole of a different piece of work followed by a close up of it. The final shot looks as if it fits with them but all it is is a shot I took accidentally as I walked through the gallery. I was carrying the phone set on camera mode facing down and inadvertently took a photo of the floor with a circle of an electric socket cover. Strangely in keeping!

We finished our visit by going back outside to look at the rest of the building itself and a few pieces displayed on the grassed areas alongside, including more of the Barbara Hepworth “Family of Man” pieces some of which we had already enjoyed at the sculpture park.

We were also able to view the old mill building, The Calder, which will hold exhibitions in conjunction with the Hepworth Wakefield. These old warehouses present a stark contrast to the modern geometric architecture of the new gallery close by.

So that is two parts of the Yorkshire Sculpture Triangle visited which just leaves the venues in Leeds, The Henry Moore Institute and the Leeds Art Gallery, to discover sometime in the future.

Tags art galleries, Barbara Hepworth, Henry Moore, Hepworth Wakefield Gallery, North of England, outdoor sculpture, sculpture, Wakefield, Yorkshire

landscapes outdoor sculpture Yorkshire

A Week of Culture – Part Three – My Favourites at the YSP

Post author By greenbenchramblings
Post date February 10, 2014
2 Comments on A Week of Culture – Part Three – My Favourites at the YSP

For this third post in the Week of culture I promised to share with you some of my favourite scultptors who have created pieces to display outdoors. Yorkshire Sculpture Park is the ideal setting with its acres of grounds which was an area of parkland associated with a grand house. The sloping hillsides, the lake and woodland areas provide ideal settings for pieces of outdoor sculpture for both pure sculptors and land artists.

On our visit this winter the favourites we enjoyed were Barbara Hepworth, Henry Moore, David Nash and Richard Long.

I shall begin with a piece by Richard Long simply because this is the first time we have ever seen any of his work. Much of his work is based on a line, a walk or circles. He is the best known British land artist famous for his work made while walking. He has been honoured with a CBE for his art, the land art, sculpture, photography and paintings and in 1989 received the Turner Prize. At the sculpture park we had to walk along the shores of the lake through woodlands before we found this piece. The photo was taken on my i Pad so do not do the piece justice. The stone pieces were of red sandstone.

My second artist to feature is David Nash who has a few pieces permanently at Yorkshire Sculpture Park but we have also seen a massive exhibition of hs work here a few year ago after his year as artist in residence there. Both pieces we saw on this visit are in the woodland with one on the banks of the lake on the shore between the wood and the water.

The first of his works we found was entitled “71 Steps” and it climbed a hillside up through the wooded slope. The first few photos are to set the scene.

Close by we spotted these beautiful pieces of wood and tree sculpted by Mother Nature and reflected in the water. They were flowing out into the lake.

The second of the David Nash pieces was closer to the water’s edge between the trees and the biscuit coloured leaves. Just like the steps the wood had been scorched by burning. Sadly the camera on my i Pad couldn’t cope with the contrasts so the beautiful colour of the dried reeds has burnt out.

On a piece of rough ground close to the lake we came across a builder’s store where old bricks and building stones were being kept whilst work was being completed on an old chapel in the grounds. We couldn’t help but wonder what a good land artist would have created using these pieces! Close by mother Nature had created a piece of her own land art based on a fallen tree.

Barbara Hepworth’s work is well represented here at the sculpture park as her pieces called the “Family of Man” are displayed most sympathetically on a sloping piece of sparcely planted woodland. On the way to find these pieces we passed this interesting sign where the face of our Labour Party leader had been added. Similar photos of faces had been pasted to trees but the weather had got the better of these.

I have included some close up photos of a few of the pieces by Barbara Hepworth to show where the hand of the artist has left her marks. I enjoy studying the texture of any piece of sculpture as it can be as important as the overall shape of the work.

The bark of this tree caught my eye as we moved between the Barbara Hepworth pieces. It was the texture that attracted me and the pattern of diamonds sculpted into the bark. Even the carved graffiti seemed to add to the character of the tree, telling a part of its story.

You can see from the photo of Jude below that the weather was not making wandering around the site too easy. The ground beneath our feet was very slippery. This meant that when we came to seek out the work of Henry Moore we found it difficult to get to them as the ground was impossible to walk on due to the steep sloping land where they were situated.

But we can enjoy this one piece.

For part 4 of this week of culture we move on to the Hepworth Wakefield Gallery in the city of Wakefield itself.

Tags Barbara Hepworth, David Nash, garden sculpture, Henry Moore, outdoor sculpture, Richard Long, sculpture, Yorkshire, Yorkshire Sculpture Park

architecture gardens gardens open to the public National Trust ornamental trees and shrubs outdoor sculpture recycling The National Trust

A Week of Culture – Part One – Hardwick Hall

Post author By greenbenchramblings
Post date February 6, 2014
4 Comments on A Week of Culture – Part One – Hardwick Hall

We spent a few cold January days up in Derbyshire and Yorkshire for a culture fix. It was extremely cold and occasional rain and hail storms lashed us but we did not give in. We bravely went onward defying whatever the weather threw at us and enjoyed every moment. Day one of our winter adventure found us stopping off in Derbyshire at Hardwick Hall for a spot of architecture appreciation.

Although the day was a memorable one, not all the memories were happy ones as my trusty friend my Nikon DSLR packed up and it did not allow me to focus or use flash so it is now being looked at in the camera hospital at Nikon UK. Fingers crossed for a speedy recovery. Isn’t it devastating when your camera goes awry? So all the pics following are taken on my Samsung Galaxy Phone, which does have a quality camera, thank goodness.

The grounds of Hardwick Hall , now under the auspices of the National Trust, is unusual in having two “big houses”. The newer hall was built in the late 1500’s by Bess of Hardwick, a powerful woman at a time when powerful women were few and far between. She wanted everyone to now how important she was hence the size of Hardwick. She features her initials all over the building including huge letters along the top of the building The letter E refers to her name Elizabeth and the S refers to Shrewsbury. She married George Talbot who was the Earl of Shrewsbury at the time making Bess Countess of Shrewsbury. No-one could have visited this place when she was there without knowing how powerful she was.

From the rear gardens we were able to appreciate close views of the heritage cattle, the Shorthorns.

The gardens are small but the parklands are impressive and extensive. A range of buildings once stable blocks, workers’ cottages and workshops have been lovingly restored and put to good use as holiday cottages, shop, restaurant etc.

Signs of a recent den building activity day for children were in evidence in the grassed area enclosed by the stable block buildings, as were wood sculptures celebrating the skills of the craftsmen who would have helped to maintain the grounds at Hardwick. The carvings were created from trees that had been felled due to disease. Even the tables and chairs in one of the buildings celebrated the work of the estate millers.

We were highly impressed by the “green credentials” of the building revamp and felt it needed celebrating. Well done to the National Trust! As well as excellent insulation there are several innovative ideas in action. Water collected from the roofs is used to flush toilets, solar panels on the roofs pre-heats water to be used in the kitchen, heat generated by the condensers of the fridges and freezers is collected and the boiler is of a bio-mass type.

The more formal gardens are enclosed areas snuggly fitted close to the house surrounded by tall hedges so that each area is a surprise to the visitor. Some beautiful coppicing work in “The Nuttery” was evidence of the skilled gardeners here now. The trees here are Hazels, their prunings providing brash stacks for wildlife shelters.

We discovered some beautifully and skillfully trained and pruned plants, a rose and some Yew which brought a smile to our faces. It was cold day so a smile was most welcome! Just after taking these photos the sky turned black with heavy storm clouds, the temperature dropped, the wind speed increased and we were attacked by a ferocious hail storm. We took shelter in the entrance to the hall where I took these photos some showing the wet glossy paths to illustrate how wet it was.

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After sheltering out the time of the storm we looked for architectural details of the building and discovered these gems.

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So let us have a look at a few shots of the “new” hall before we explore the old hall.

As we approached the old hall, which was the family home of Bess, our first view was in silhouette. As we moved around the building the detail revealed itself.

As we passed through the gateway we came across this piece of stonework. We had no idea what it was but were interested to find another set of Bess’ initials. You can just about see them if you look really carefully.

A close up look around the tall walls of the old hall showed how beautiful it must have been. It had a certain beauty even in decay.

We were drawn to the signs of old plaster work hanging on the inside walls.

Many old windows and doors had been filled in at various times and this resulted in what appeared as framed textured paintings. Beautiful!

As we walked away from the old hall I looked back and took this shot of it as the sky cleared and the sun returned.

As we returned to the car park the sun was setting behind the tall trees alongside the path showing just how long we had been discovering the delights of the old halls at Hardwick. We also came across this stone sculpture based on seeds found in the grounds.

We travelled further North and made our way out of Derbyshire into Yorkshire where we stayed a few days in Wakefield. Here we would experience more of our culture fixes.

Tags Derbyshire, garden photography, Hardwick Hall. architecture, National Trust, outdoor sculpture, sculpture, winter gardens

arboreta autumn memorials poppies remembrance trees woodland

The National Memorial Arboretum Part Two

Post author By greenbenchramblings
Post date December 10, 2013

We return in this second post about the National Memorial Arboretum where we left off.

This was a quiet place, full of bird song and the quiet voices of the visitors deeply affected by the sense of the place.

Seats to sit upon

to sit and think

to sit and to remember

lost ones.

Share now a few images of the place to show its variety, its beauty and its sadness.

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We walked slowly up a gentle sloping path giving us a spiral route to the “Armed Services Memorial” with a solemn “wall of names”. The sculptural pieces here were astonishing, powerful and thought provoking.

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Below, the sculpted hand indicates the place where a shaft of sunlight pierces two slits in two walls. They line up on the 11th hour of the 11th day of the 11th month each year the time when the First World War ended. It is the time the nation remembers each year the members of the armed forces lost serving their country.

A massive curving wall has carved into it the names of all armed service personel who have died in service since the end of the Second Wall War. To see all these names together illustrates the futility of war so clearly. Worst of all was the huge area left blank as space for those yet to die. The United Nations should hold their meetings here and every Member of Parliament from every nation should spend some time here at the beginning of every session of their parliament. I wonder if it would make any difference?

We found smaller memorials which were more specific and sometimes outside the realms of armed conflicts.

The essential work of the Bevin Boys, the miners who kept the mines open during WW2 was celebrated in these wonderful relief carvings. Powerful just like the Bevin boys themselves.

Men who lost their lives building the railways in the Far East as prisoners of war were commemorated by a garden of many varieties of Sorbus growing around reconstructed sections of railway lines.

A few of the gardens help us remember the loss of lives of those serving the nation but not in the armed services. Here we celebrate the bravery of the men of the Royal National Lifeboat Institution. A sturdy figure carved from stone reflects the strength of character of these people as he looks over a seaside landscape.

One of the most incredible memorials was a tribute to the men of the railways.

We even found a memorial to the soldiers from our home county of Shropshire.

The Jewish Memorial was a truly beautiful piece of art as well as a moving memorial piece.

As the light faded over the memorial arboretum the trees tops began to fill with the sounds of starlings settling down to roost. To the birds this garden is a home giving them shelter, food and a place to nest.

I will leave you with a few deeply moving pictures.

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And finally a picture of the Bazra Wall to illustrate that we never learn. With all the waste of lives over the centuries it still goes on.

Tags arboretum, memorials, ornamental trees, outdoor sculpture, remembrance

autumn autumn colours garden design garden photography gardening gardens kitchen gardens Land Art ornamental trees and shrubs outdoor sculpture trees walled gardens walled kitchen gardens

The Gardens at Newport House

Post author By greenbenchramblings
Post date November 10, 2013
2 Comments on The Gardens at Newport House

As promised we return to Newport House to concentrate more on the gardens. The pictures above show the enclosed courtyard gardens behind the cafe building. From there we moved on towards the gardens in front of the house.

The view across open expanses of lawn was broken by the sight of this magnificent Sweet Chestnut which was made all the more magnificent by tree house lovingly crafted to embrace the trunks and main boughs.

Formal Italian styled gardens with frameworks of low box hedging were cut into the lawns but inside these box structures was soft herbaceous plantings.

Further pieces of sculpture were positioned within these plantings and on the lawn itself.

A particular favourite piece of all four of us was positioned to frame the lake and woodlands beyond.

From the lower branches of trees hung other pieces such as these steel spheres.

Mother Nature herself was not to be outdone, so she cut these gently curving lines into an old stump of a felled tree. Around the other side of the stump we found that it had been carved into a giant story telling chair with other small wooden seats scattered in front of it.

We were delighted to stumble across these pieces of Land Art created using pieces of natural materials found within the garden as part of a recent workshop.

A small arboretum featured some interesting young trees which looked particularly good in their early autumn foliage colours. The tree below on the right was a stunning Crataegus and one that none of us recognised and the following two pics show the leaves and haws closer up. I have since found out it is Crataegus orientalis.

This tree in the following two pictures was another Crataegus – prunifolia I think. After that the two photos following are of a tree with a neat habit, but again it was one we did not recognise. I thought it could possibly have been a Nyssa sylvatica but I shall have to check it out.

This lovely curved bed of coloured stemmed dogwoods acted as a boundary to the arboretum. The Cornus were displaying their rich red colours of autumn.

The next tree featured in the photos below is probably the best variety of Ash you can get, Fraxinus angustifolia “Raywood”, the Claret Ash.

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Leaving the arboretum, after enjoying studying the selection of interesting trees, we wandered off towards the walled garden, passing a ditch crossed by a bridge formed from the roots of the native Ash alongside.

The walled garden itself was fascinating with unusual features to enjoy. The first photo below shows a peach canopy. The gardener’s cottage had been beautifully restored as had the greenhouses.

The pergolas which bridged the central paths was made of iron and were beautifully decorated.

So, although we came to Newport House to see the outdoor sculpture we found much to interest us in the gardens themselves.

Tags autumn, autumn colours, community gardening, cornus, dogwoods, foliage, fruit and veg, fruit and vegetable growing, garden sculpture, gardening, Herefordshire, Herefordshire gardens, outdoor sculpture, sculpture, trees, walled gardens

community gardening garden design garden photography gardening gardens Land Art outdoor sculpture photography walled gardens

Out of Nature – an outdoor sculpture exhibition.

Post author By greenbenchramblings
Post date November 7, 2013
3 Comments on Out of Nature – an outdoor sculpture exhibition.

“Out of Nature” was the name given to a sculpture exhibition staged in Newport House in Herefordshire situated a little south of Kington. Most of the pieces were displayed in the sensitive background of the gardens but a few were featured in the cafe. The photo above shows how simple staging can be very effective and can enhance the pieces themselves especially those created from stone or metal. The staging was simply recycled scaffold planks as shelving and breeze block stands.

On the lawn alongside the entrance to the cafe this semi-transparent piece glowed and demanded a closer look.

Behind the buildings was a series of small brick enclosed gardens and here the light of early autumn gave extra vibrancy to the sculpture pieces.

Leaving the enclosed gardens we walked through an avenue where each tree displayed hanging metal pieces.

The walled garden was a short walk down the drive and along a trackway where we found an archway in the tall brick walls. Through this we found old restored greenhouses where sculptures were displayed. We found others lining the path to the greenhouses.

The gardens themselves had many attractive features and are worth a visit in their own right, so my my next blog will give you a taste of what they have to offer.

Tags community gardening, garden photography, gardening, outdoor sculpture, sculpture

allotments autumn community gardening diy garden buildings garden wildlife gardening gardens Land Art natural pest control recycling Shrewsbury wildlife

Pumpkins, a BBQ and Homes for Wildlife

Post author By greenbenchramblings
Post date November 5, 2013
5 Comments on Pumpkins, a BBQ and Homes for Wildlife

At the end of October we held our first ever family oriented working party social day at our allotments, Bowbrook Allotment Community. It was a great success even though the whole day was spent in wellies and waterproofs. The ground beneath our feet was saturated and occasional showers got us from above, but neither distracted us from our aims of the day.

We started just after one o’clock when a photographer from the local newspaper came to take some shots of families working together on our “Homes for Wildlife” projects and one of our most recent award, the RHS Britain in Bloom “National Award of Distinction” which we were awarded for our community involvement.

First task was to make some birdboxes and Wren Pouches. All the materials were collected together by one of our picnic benches and tools readied. It was heartening to see children, their parents and grandparents working together creating these nest boxes. Three generations together!

We made some hanging bug shelters too, created from broken flower pots, driftwood and bits of bark.

We wished also to make a couple of bug hotels, a small one along the fenceline and our most ambitious yet a 6 ft high creepy crawly cottage both based on recycled wooden pallets. We began with a stack of pallets and a collection of natural objects collected by allotment holders, sticks, old garden canes, stones, fir cones etc.

The “cottage” soon began to take shape as pallets were stacked and fixed together to give the basic structure.

All we have to do now is choose a name for our new insect home. We have challenged the youngsters from the allotments, our Roots and Shoots group, to choose a suitable one. So far we have a few ideas – “Minibeast Manor”, “Bugtique Hotel” and “Minibeast Metropolis”. The difficulty will be how to decide!

The smaller insect hotel was made from five pallets and again filled with objects that would provide shelter for wildlife. We finished it off with a stone pile, the perfect home for beetles.

The final jobs before our BBQ was to plant lots of acorns, sweet chestnuts and hazel nuts to grow on and plant in our hedgerows and to plant up a whole sack of daffodil bulbs alongside the paths in our meadows.

The BBQ brought us all back together and once darkness fell we lit our pumpkin lanterns. And we even found time for Jude to do some face painting.

As we enjoyed the BBQ the light disappeared and we prepared ourselves for the Twilight Walk, when we wandered around the site with lit pumpkins to light our way in search of sheds decorated as Spooky Sheds.