Categories
flowering bulbs garden design garden photography gardening spring bulbs spring gardening Winter Gardening

Our Crocuses

We look forward to late February and early March as that is when those little jewels, the crocuses burst into bloom, attracting the local honey bees and any winter flying bumbles and solitaries.

Our crocus lawn is in its second season and is looking great.

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In almost every other part of the garden they open their sunny flowers whenever the slightest sunny ray catches them. We thought we would take a wander around the garden with camera in hand and see how many different crocus we now have in the garden. Enjoy the journey with us.

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Categories
allotments community gardening garden buildings Winter Gardening

A day of destruction as a funnel hits our allotments

Last week a wild wind phenomenon hit our allotments and left a trail of destruction in its wake. A “funnel” tore its way across the plots and it flattened sheds in its path. It moved sheds from their bases. It took the roofs off others. Anything light was scattered about, compost bins, water butts and cold-frames.

In the first pair of pictures half of the felt from the shed roofs had been torn off typical of the minor damage to many sheds. Others like the one in the third photo had been blown from off its base and it collapsed in a heap, with the contents crushed inside. See if you can see which bit is which.

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Others fell off their bases and landed on their sides remaining almost intact while others lost their roofs which took off like kites.

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On our own plot there was little damage. We had an allotment years ago on another very windy site so we  were prepared like all good scouts and guides. We had sunk heavy fence posts at each corner of our shed and fixed the shed by screwing it firmly from the inside. (see photo below). Our tripods had crashed, our wooden planks awaiting transformation into a raised bed for strawberries were blown across the plot, our central metal gazebo was well bent and our flying scarecrow, Biggles, was blown from the top of it and we found his plane crash landed nearby but sadly Biggles and his head had parted company.

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This devastation came in the middle of an ongoing problem with water-logging and floods, so it really felt as if the weather had got it in for us.

At home we did not get the funnel passing through but we had days of gale force winds roaring through the garden. It managed to lift our lovely Ceanothus right out of the ground roots and all! The tree ties had been broken and the tree stake had snapped a few inches from the ground. The last of our rose arches finally collapsed hurrying up our replacing them with wooden arches.

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When Jude and I next went up the lotties a week after the great storm we were amazed to find everything had been put back to how things were before, most of the sheds were back on their bases, roofs repaired and those that had toppled over were upright again. The biggest surprise of all was to see the shed that had barrel-rolled down the path back on its base and looking pretty good considering. Without saying a word to Paul, the owner of the shed, some fellow allotmenteers had got together and moved it back for him. Just look how good it looks in the photo below. In the second photo if you look in the background to the right you can see Henry’s shed also back in place and roof repaired. This is why we call our site Bowbrook Allotment Community with the emphasis on community.

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The storm hit mostly during the night and then had abated by mid-morning. In the afternoon two members emailed me with photos and details of the plots that had received damage. This meant that I could contact the individuals concerned and let them know the sad news. One couple went round the sight with a smart phone and as they found a plot that had sustained some damage they sent me a photo with details and plot number.They even made some damaged sheds safe and did temporary repairs. This sort of helping each other is what makes life easy for me as Chairman. I felt proud to be involved!

Most of the photos in this post are from members of Bowbrook Allotment Community.

Categories
climbing plants garden design gardening herbs recycling roses

Hide that ugly pipe!

Sometimes the simplest solutions are the best. Recently we saw on a television gardening programme some covers to fix over drain pipes so that you can plant climbing plants to hide the ugly plastic pipe.

So we sent for a pair and then went off to the Antique Centre at nearby Church Stretton in search of an interesting galvanised container suitable for growing some climbing plants in. Success! We found an old cannister hidden in a pile of miscellaneous objects from an old bakers shop. Baking tins, a till, the manager’s desk, enamel signs, and a miscellany of galvanised containers!

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We were so pleased with ourselves that we treated ourselves to a coffee at a great coffee house across the road, Ginger Green. They make excellent coffee and an amazing array of cakes! As you see from the pics below they pride themselves in the look of the coffee too! 10 out of 10 for presentation.

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When the climbing frames arrived we fixed them up, put the galvanised cannister in place and drove off to the Derwen Garden Centre near to Welshpool. We came away with a clematis, a climbing patio rose and two thymes perfect for planting up our new planter which waited patiently at home. We were also tempted to a Calyanthus a flowering shrub we had been seeking for a long while.

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We must now sit back and wait for the summer when we shall find out if our planting works and if the plants will climb the frames and hide the ugly pipe.

Categories
garden photography gardens open to the public photography trees

The Survivor – Take One Tree

Whilst on a garden visit recently to the National Trust’s Dunham Massey, we came across an ancient tree just about hanging on to life. There was very little left of the main trunk and what was left was hollow and had lost its bark.

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One branch had found enough life there to grow out from one side and produced  healthy looking growth. It gave the impression of  a young tree growing on top of the remains of a dead one.

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I tried a few of the pics in black and white  to emphasise the textures.

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Categories
garden photography gardening gardens open to the public grasses hardy perennials light light quality ornamental grasses ornamental trees and shrubs roses Winter Gardening winter gardens

A Garden in February – Trentham

As promised we made our promised return to the gardens at Trentham, near Newcastle-under-Lyme in Staffordshire, right on the edge of The Potteries.

The day promised good weather which would make a welcome change. On our last few visits to this garden we had been subjected to rain and often cold winds. For our February exploration the sky was blue and the car’s dashboard read out told us the temperature was 9 degrees. The aim of this return visit and indeed all the following monthly ones was to see how the garden had progressed, how things had changed, which plants were looking good and which ones were the stars.

As we passed over the gentle arch of the suspension bridge we could see the “River of Grasses” with the golden stubble of the grasses which had been trimmed down low. In contrast the close mown grass areas along the riverside were bright green decorated with strips of sparkling white snowdrops. I realise the life buoy is a safety requirement and realise it has to be red so that it is easily spotted in an emergency but it is really distracting!

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As always the gently curving line of River Birches looked wonderful, with the bark peeling more than when we saw them in January. I liked the meandering line where the dried grass area joins the deep green foliage of the evergreen Euphorbia robbiae with pale green highlights created by their flowering bracts.

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Once beyond the birches the perennial borders designed by Piet Oudolf looked very flat having been trimmed tight to the ground. This was in strong contrast to all the interesting seedheads and stems that decorated it in January. But with the clear view over the area we did spot this lovely wooden seat which we had totally missed in January. The bright green new growth of the Hemerocallis has progressed well since our January visit.

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We enjoyed seeing that the rings of cyclamen were still flowering away happily beneath the Yews. They looked good in the sunshine, their colours seeming richer.

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There was little change to be seen at the Hornbeam arbor but we did notice a few white sparkling Snowdrops around the base of their trunks. The trimmed box alongside is most noticeable at this time of year when such green sculptures become one of the stars of the garden. Some other stars of the Trentham gardens on this visit waited for us close by -Hellobores and Cyclamen in full colourful bloom. The Hellebores impressed with more than the colour range however, for they had really proud upright habit. They lit up the shade beneath an allee of Hornbeam.

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Leaving the Hornbeam allee we entered the old Italian Garden, with its rigidly symmetrical patterns of short cut grass, white chipping and smartly trimmed box edging. The low winter light emphasised this structure. It is not our favourite part of the garden but we always admire the skill taken to keep it looking so neat.

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From here we could look out across the huge Italian Garden, re-designed by Tom Stuart-Smith. Since our last visit the perennials and grasses have been neatly and closely cut ready for the new growth that is sitting just below the soil surface ready to burst out.

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Then after walking through these borders in waiting, we went off into the parkland where mature trees tower above the grassed slopes. Under the trees sits the coffee shop where we stopped for our statutory break. Some slopes appeared a bluer green than others and we discovered that the leaves here were of daffodils already with flower buds fit to burst.

Near the coffee house are areas for children and it was noticeable how busy they were. When here in January this area was deserted but on this visit there were lots of families with young children. It was the school half term holiday.

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On the lake the swan sculptures presented sharp silhouettes taking off over the water.

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Over in the display gardens the low bright light made the colours in foliage, flowers, stem and bark look extra bright.

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We returned through the Tom Stuart-Smith gardens and walked along the rose pergola. The gardeners were busy pruning the roses, weeding and freshening up the soil surface.

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The shrub borders at the end of the rose pergola were showing signs of interesting things happening, the Witch Hazels were shining yellow and the scented but subtle winter flowering honeysuckle sitting along side it looked rather drab. So that finished our February visit to Trentham. The next blog in this monthly series will be in March. Things should be really livening up then.

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Categories
garden wildlife gardening gardens log piles natural pest control recycling wise watering

A bit of work on our shade border.

Today we spent a few hours improving the moisture content in the soil in our “Shade Border”. This is the only fully shaded part of our garden so it where we can grow plants that would not appreciate the brightness or warmth of the other sunnier borders. Here we have several Meconopsis Poppies in blue, white and cream, several varieties of Corydalis, some ferns and anemones. The first flowers appear on our  Pulmonarias in blue, pink, red and white soon followed by the tiny blue flowers of Brunnera and the whites and pinks of the uniquely shaped Dicentras. The beautifully cut lace like foliage of various Corydalis provide a perfect foil for their nodding little flowers. These all flower when the deciduous shrubs along the fence are still skeletal. Once the leaves give extra shade overhead the Ferns, Anemones and my favourite nettle the Giant Red Deadnettle, Lamium orvala.

Our worry is that in periods of dry weather the bed gets too dry for these plants and they begin to suffer. We decided the only answer was to use seep hose. It took just an hour to perform this important task which we hope will make these shade-loving plants much happier in the warmer summer months.

Firstly we cut some tough galvanised wire into 12 inch lengths and bent them into pegs like giant staples. We laid the pipe across the surface of the border in a serpentine pattern, leaving one end exposed where a hose can be attached when needed.

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We dug out a 3 inch deep trench alongside the hose, placed the hose into the trench and then pegged the hose down with the wire.

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We added a good dose of our “black gold”, rich home made garden compost over the hose and then over the whole area. The compost in the trench will act as a wick for the water from the seep hose which we hope will slowly creep into the compost around the plants.

The final touch was to build a log pile out of rotting wood to attract beetles which are useful predators. They will help look after the plants for us.

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We had to carry this out very carefully as the first sign of flowers had already begun. This red Pulmonaria is the first flower in the shade garden this year.

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Categories
diy garden design gardening roses

Replacing the garden arches at Avocet

We made the mistake when we designed the garden here at Avocet of using metal arches to span our paths and grow plants over. We have 8 arches altogether around the garden with all sorts of climbing plants over them including trained fruit trees. Most of the climbers are purely decorative, different varieties of clematis, rose, honeysuckle and a purple vine so not only do they look good but many are scented to give wafts of their gentle aromas as we pass through the arches. The productive trees are apples, blackberry and cherry.

We soon found out that the windy site here close to the hills of South Shropshire was not the place for metal arches. We get strong winds swirling around the hill behind our house which often distort, break or blow over our plant covered arches. For years we have carefully repaired them and put them back up with the plants mostly intact. This winter we found our garden was attacked by frequent gale force winds and howling storms so we have given up on the metal arches and are slowly replacing them with much more solid wooden constructions.

We began with the arch nearest the bottom of the garden which by the end of January was leaning at an uncomfortable angle so we had to duck to get through it and parts of it had broken off. This arch was clothed with a rose called Goldfinch, a small yellow early flowering variety which flowers profusely every year without fail but it also grows strongly so has to be pruned extremely hard, so hard you feel cruel doing it! On the other side of the path climbs a purple leaved vine which looks amazing when then the sunlight glows through its foliage. It also flowers and fruits some years producing tiny dark purple grapes which are very bitter – even the birds turn their beaks up at them.

First job was to prune the climbing planting carefully and even more carefully unwind their main stems from the remains of the arch. Then we extricated the arch. It looked a sorry sight lying on our lawn.

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Once pruned the rose hung limply without support until we carefully bent it sideways and tied it onto the wooden support for our cordon plums.

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We had three arches delivered and luckily they came in pieces as they were so heavy. At least we could unpack them and move them to where they were to be put up one piece at a time.

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Once the plants were pruned and tied out of the way we could get on with digging out 12 inch deep trenches to fix the uprights into.

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Once the hole was dug out to the correct depth we then spent a while with a metre long spirit level making sure the upright piece was vertical in both planes. We then poured in the post fix concrete mix and left it to dry.

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Once the concrete had set we could fit on the top decorative pieces and the job was done. Just the easiest part left – re-tying the climbers back in place. They should now be ready for the spring. Just seven more arches to go!

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Uncategorized

A Week of Culture – Part 5 – Barbara Hepworth

During our week of culture up in Yorkshire we appreciated seeing in real life the work of Barbara hepworth at the Yorkshire Sculpture Park and naturally at the Hepworth Wakefield Gallery. She is probably one of the best three 20th century sculptors in the world, and I must admit one of my favourite of all time. We originally saw some of her pieces in St Ives exhibited in the garden of her Cornish studio where they looked very much at home. Her sculpture is displayed in her gallery and garden at the home she lived in there. This visit was several decades ago so seeing more of her work recently has reminded us that a return visit to St Ives is well overdue.

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During our week of culture in Yorkshire we enjoyed viewing her work at the sculpture park and at the Hepworth Wakefield Gallery. At the sculpture park we particularly we enjoyed her “Family of Man”. We liked it enough to actually send time looking at the individual pieces in detail, which wasn’t easy to do when the icy wind thrashed at our faces, making our eyes and noses run. Each time I stopped to take a photo I had to dry my eyes in order to see what was going on in the viewfinder.

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At the Hepworth Wakefield Gallery I relished the opportunity of seeing some of her designs, models and and mock ups of wellknown pieces. A real surprise was a work bench displaying tools that Hepworth actually used to create her masterpieces.

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We even have a couple of repro pieces of Hepworth sculptures in our garden and at the gallery we were enthralled to see the genuine articles and surprised at how large they were when viewed full sized.

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Categories
gardening Winter Gardening

A few Winter Beauties

At this time of the year it is the little delicate flowering shrubs that excel, with their gentle colouring and powerful aromas.

I thought I would try drawing and painting a few gems from the February garden with my new iPad. It is going to take quite a bit of getting used to but I am taking the first few steps.

The first three are drawings of Dogwood stems, perennial wallflower Erygeron “Bowles Mauve” and the seed heads of fennel drawn on the app “Drawing”.

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The next two are paintings created using an app called “Brushes” and show Fennel seed heads, With Hazel “Jelena” and Daphne bhuloa “Jacquelin Postill”.

Painting Painting 1

Categories
architecture canals outdoor sculpture Yorkshire

A Week of Culture – Part 4 – The Hepworth Wakefield Gallery

Part Four of our culture week sees us visiting the new Hepworth Wakefield Gallery within the city of Wakefield in Yorkshire. Wakefield has been graced with a new gallery partly dedicated to the work of Barbara Hepworth as it was the city of her birth.

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We had seen photographs of this newly constructed gallery and had wanteded to visit since its opening. The building itself is an imposing grey structure based on slightly irregular cubes and cuboids. A long dramatic walkway over the canal took us over moored barges with their wood fires adding the aroma of burning wood to the misty damp atmosphere.

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From the walkway we spied this character hanging from a crane in the metal reclamation yard alongside the canal. He is made up of all sorts of scrap materials and from a distance he looks as if he is made of huge sweets – liquorice allsorts.

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As we got close to the entrance we realised just how vast this gallery is with its grey slabbed sides rising up above us.

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Inside, the building is equally dramatic with deeper greys and black being the dominant colours in the spaces outside the gallery rooms themselves, which as expected are all of a stark white. The outside surfaces are matt in sharp contrast with the shining interiors.

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With all these straight lines and monochrome surfaces that constitute the fabric of the buiding the art work on show would need to be good and well displayed to brighten the visitors’ experience along with some comfortable seating on which to sit and appreciate the art works. People also make a difference and we received a warm welcome from the smiling face behind the reception desk.

The first gallery contained a couple of pieces by British sculptor Henry Moore – Reclining Figures. They looked good with plenty of space around them and with bright even lighting. But our warm welcome from the receptionist was somewhat negated by the steward in this room who called across at me “You are not allowed to touch them!” when I was pointing out a particularly nice curved line. Sadly because of this we didn’t stay so I failed to photograph Moore’s work. We put it down to bad training and moved on quickly to the next gallery where a delightful surprise awaited us.

We were taken aback as we were confronted by a crazily overcrowded room set. This was the collection of William Alfred Ismay. At first it looked a jumble of worthless pieces of junk thrown together in what is often put forward by some artists as sculpture. We once saw a garden shed in a gallery  full of old dusty tools looking as if it had been lifted from a vegetable patch and dropped in the gallery – it even had a radio playing. The gallery presented it as an important installation and went on to propound its value as a work of art. We didn’t buy into that and we had a feeling we might be in for a similar experience here. But no! Here was a collection accumulated over decades by a local Wakefield librarian who became an obsessive collector of quality ceramics. His home became filled to the brim with them covering every surface even the table at which he ate his meals, leaving a little gap just big enough for his plate! A close look among the jumble of items led us to discover pieces from potters whose work we recognised. Most of the well-known 20th century potters and ceramists were in fact represented. Wandering around the room set became a voyage of discovery picking out beautiful pieces from amongt the cheap white goods of his era. The pieces were displayed on pieces of Ismay’s furniture and the whole set up was like looking into his house with the walls stripped away.

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In the gallery where Ismays collection was displayed we were again made to feel uncomfortable. A black line surrounded the display and a sign asked visitors not to step over it. Sadly as we walked around the young room stewards followed our every move keeping a close eye on our feet. This must again reflect their training because when we engaged them in conversation they were very pleasant, knowledgeable and enthusiastic.

The third gallery we entered was spotlighting the work of American artist Dana Schutz. This is the New York based painter’s first UK exhibition. Her large extremely colourful work did not appeal to either myself or Jude as we found them disturbing in an unpleasant way. This gallery though did give them the space needed to appreciate them coupled with excellent lighting. If you were a Schulz fan you would have appreciated how good they looked in this setting. You can see the hard surface of the bench here. It didn’t invite you to sit and peruse the paintings and did nothing to soften the hard lines of the building and whiteness of the room. Comfortable benches which invite the visitor to sit and consider a piece in more depth are sadly lacking throughout the gallery.

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We moved through galleries displaying the work of Albert Wainwright whose work varied a great deal, from simple book and magazine illustrations to landscapes of Northern England and the occasional poster. Photography was not permitted in this room.

We moved on to Galleries 4,5 and 6 where the work of Barbara Hepworth was on show. Her work suited the style of gallery with their huge walls of glass which let the light stream in. The views out of these windows were out over the river towards the city.

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We were pleased to see a full sized prototype of the well known piece “Winged Figure” which was designed to grace the John Lewis store in Oxford Street. We think of Hepworth as being just a sculptor so it was interesting to see some of her 2-D graphic works. It was a great privilege to get really close to this iconic piece and see the variety of textured surfaces.

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It was strange to see some of her work in glass cases but I can appreciate that these particular pieces are delicate.

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Enjoy this set of photos showing the variety of Hepworth’s work.

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If we look at the following set of 5 photos we can see they feature a similar simple circle. The first photo is a close up of the last piece in the set of photos above, then we have a photo of the whole of a different piece of work followed by a close up of it. The final shot looks as if it fits with them but all it is is a shot I took accidentally as I walked through the gallery. I was carrying the phone set on camera mode facing down and inadvertently took a photo of the floor with a circle of an electric socket cover. Strangely in keeping!

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We finished our visit by going back outside to look at the rest of the building itself and a few pieces displayed on the grassed areas alongside, including more of the Barbara Hepworth “Family of Man” pieces some of which we had already enjoyed at the sculpture park.

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We were also able to view the old mill building, The Calder, which will hold exhibitions in conjunction with the Hepworth Wakefield. These old warehouses present a stark contrast to the modern geometric architecture of the new gallery close by.

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So that is two parts of the Yorkshire Sculpture Triangle visited which just leaves the venues in Leeds, The Henry Moore Institute and the Leeds Art Gallery, to discover sometime in the future.

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