greenbenchramblings

Replacing the garden arches at Avocet

Post author By greenbenchramblings
Post date February 20, 2014
6 Comments on Replacing the garden arches at Avocet

We made the mistake when we designed the garden here at Avocet of using metal arches to span our paths and grow plants over. We have 8 arches altogether around the garden with all sorts of climbing plants over them including trained fruit trees. Most of the climbers are purely decorative, different varieties of clematis, rose, honeysuckle and a purple vine so not only do they look good but many are scented to give wafts of their gentle aromas as we pass through the arches. The productive trees are apples, blackberry and cherry.

We soon found out that the windy site here close to the hills of South Shropshire was not the place for metal arches. We get strong winds swirling around the hill behind our house which often distort, break or blow over our plant covered arches. For years we have carefully repaired them and put them back up with the plants mostly intact. This winter we found our garden was attacked by frequent gale force winds and howling storms so we have given up on the metal arches and are slowly replacing them with much more solid wooden constructions.

We began with the arch nearest the bottom of the garden which by the end of January was leaning at an uncomfortable angle so we had to duck to get through it and parts of it had broken off. This arch was clothed with a rose called Goldfinch, a small yellow early flowering variety which flowers profusely every year without fail but it also grows strongly so has to be pruned extremely hard, so hard you feel cruel doing it! On the other side of the path climbs a purple leaved vine which looks amazing when then the sunlight glows through its foliage. It also flowers and fruits some years producing tiny dark purple grapes which are very bitter – even the birds turn their beaks up at them.

First job was to prune the climbing planting carefully and even more carefully unwind their main stems from the remains of the arch. Then we extricated the arch. It looked a sorry sight lying on our lawn.

Once pruned the rose hung limply without support until we carefully bent it sideways and tied it onto the wooden support for our cordon plums.

We had three arches delivered and luckily they came in pieces as they were so heavy. At least we could unpack them and move them to where they were to be put up one piece at a time.

Once the plants were pruned and tied out of the way we could get on with digging out 12 inch deep trenches to fix the uprights into.

Once the hole was dug out to the correct depth we then spent a while with a metre long spirit level making sure the upright piece was vertical in both planes. We then poured in the post fix concrete mix and left it to dry.

Once the concrete had set we could fit on the top decorative pieces and the job was done. Just the easiest part left – re-tying the climbers back in place. They should now be ready for the spring. Just seven more arches to go!

Tags clematis, climbers, climbing plants, climbing roses, garden arches, garden structures, gardening, roses

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A Week of Culture – Part 5 – Barbara Hepworth

Post author By greenbenchramblings
Post date February 18, 2014

During our week of culture up in Yorkshire we appreciated seeing in real life the work of Barbara hepworth at the Yorkshire Sculpture Park and naturally at the Hepworth Wakefield Gallery. She is probably one of the best three 20th century sculptors in the world, and I must admit one of my favourite of all time. We originally saw some of her pieces in St Ives exhibited in the garden of her Cornish studio where they looked very much at home. Her sculpture is displayed in her gallery and garden at the home she lived in there. This visit was several decades ago so seeing more of her work recently has reminded us that a return visit to St Ives is well overdue.

During our week of culture in Yorkshire we enjoyed viewing her work at the sculpture park and at the Hepworth Wakefield Gallery. At the sculpture park we particularly we enjoyed her “Family of Man”. We liked it enough to actually send time looking at the individual pieces in detail, which wasn’t easy to do when the icy wind thrashed at our faces, making our eyes and noses run. Each time I stopped to take a photo I had to dry my eyes in order to see what was going on in the viewfinder.

At the Hepworth Wakefield Gallery I relished the opportunity of seeing some of her designs, models and and mock ups of wellknown pieces. A real surprise was a work bench displaying tools that Hepworth actually used to create her masterpieces.

We even have a couple of repro pieces of Hepworth sculptures in our garden and at the gallery we were enthralled to see the genuine articles and surprised at how large they were when viewed full sized.

gardening Winter Gardening

A few Winter Beauties

At this time of the year it is the little delicate flowering shrubs that excel, with their gentle colouring and powerful aromas.

I thought I would try drawing and painting a few gems from the February garden with my new iPad. It is going to take quite a bit of getting used to but I am taking the first few steps.

The first three are drawings of Dogwood stems, perennial wallflower Erygeron “Bowles Mauve” and the seed heads of fennel drawn on the app “Drawing”.

The next two are paintings created using an app called “Brushes” and show Fennel seed heads, With Hazel “Jelena” and Daphne bhuloa “Jacquelin Postill”.

Tags daphne, dogwoods, fennel, iPad, painting on the iPad, perennial wallflowers, witch hazels

architecture canals outdoor sculpture Yorkshire

A Week of Culture – Part 4 – The Hepworth Wakefield Gallery

Post author By greenbenchramblings
Post date February 13, 2014

Part Four of our culture week sees us visiting the new Hepworth Wakefield Gallery within the city of Wakefield in Yorkshire. Wakefield has been graced with a new gallery partly dedicated to the work of Barbara Hepworth as it was the city of her birth.

We had seen photographs of this newly constructed gallery and had wanteded to visit since its opening. The building itself is an imposing grey structure based on slightly irregular cubes and cuboids. A long dramatic walkway over the canal took us over moored barges with their wood fires adding the aroma of burning wood to the misty damp atmosphere.

From the walkway we spied this character hanging from a crane in the metal reclamation yard alongside the canal. He is made up of all sorts of scrap materials and from a distance he looks as if he is made of huge sweets – liquorice allsorts.

As we got close to the entrance we realised just how vast this gallery is with its grey slabbed sides rising up above us.

Inside, the building is equally dramatic with deeper greys and black being the dominant colours in the spaces outside the gallery rooms themselves, which as expected are all of a stark white. The outside surfaces are matt in sharp contrast with the shining interiors.

With all these straight lines and monochrome surfaces that constitute the fabric of the buiding the art work on show would need to be good and well displayed to brighten the visitors’ experience along with some comfortable seating on which to sit and appreciate the art works. People also make a difference and we received a warm welcome from the smiling face behind the reception desk.

The first gallery contained a couple of pieces by British sculptor Henry Moore – Reclining Figures. They looked good with plenty of space around them and with bright even lighting. But our warm welcome from the receptionist was somewhat negated by the steward in this room who called across at me “You are not allowed to touch them!” when I was pointing out a particularly nice curved line. Sadly because of this we didn’t stay so I failed to photograph Moore’s work. We put it down to bad training and moved on quickly to the next gallery where a delightful surprise awaited us.

We were taken aback as we were confronted by a crazily overcrowded room set. This was the collection of William Alfred Ismay. At first it looked a jumble of worthless pieces of junk thrown together in what is often put forward by some artists as sculpture. We once saw a garden shed in a gallery full of old dusty tools looking as if it had been lifted from a vegetable patch and dropped in the gallery – it even had a radio playing. The gallery presented it as an important installation and went on to propound its value as a work of art. We didn’t buy into that and we had a feeling we might be in for a similar experience here. But no! Here was a collection accumulated over decades by a local Wakefield librarian who became an obsessive collector of quality ceramics. His home became filled to the brim with them covering every surface even the table at which he ate his meals, leaving a little gap just big enough for his plate! A close look among the jumble of items led us to discover pieces from potters whose work we recognised. Most of the well-known 20th century potters and ceramists were in fact represented. Wandering around the room set became a voyage of discovery picking out beautiful pieces from amongt the cheap white goods of his era. The pieces were displayed on pieces of Ismay’s furniture and the whole set up was like looking into his house with the walls stripped away.

In the gallery where Ismays collection was displayed we were again made to feel uncomfortable. A black line surrounded the display and a sign asked visitors not to step over it. Sadly as we walked around the young room stewards followed our every move keeping a close eye on our feet. This must again reflect their training because when we engaged them in conversation they were very pleasant, knowledgeable and enthusiastic.

The third gallery we entered was spotlighting the work of American artist Dana Schutz. This is the New York based painter’s first UK exhibition. Her large extremely colourful work did not appeal to either myself or Jude as we found them disturbing in an unpleasant way. This gallery though did give them the space needed to appreciate them coupled with excellent lighting. If you were a Schulz fan you would have appreciated how good they looked in this setting. You can see the hard surface of the bench here. It didn’t invite you to sit and peruse the paintings and did nothing to soften the hard lines of the building and whiteness of the room. Comfortable benches which invite the visitor to sit and consider a piece in more depth are sadly lacking throughout the gallery.

We moved through galleries displaying the work of Albert Wainwright whose work varied a great deal, from simple book and magazine illustrations to landscapes of Northern England and the occasional poster. Photography was not permitted in this room.

We moved on to Galleries 4,5 and 6 where the work of Barbara Hepworth was on show. Her work suited the style of gallery with their huge walls of glass which let the light stream in. The views out of these windows were out over the river towards the city.

We were pleased to see a full sized prototype of the well known piece “Winged Figure” which was designed to grace the John Lewis store in Oxford Street. We think of Hepworth as being just a sculptor so it was interesting to see some of her 2-D graphic works. It was a great privilege to get really close to this iconic piece and see the variety of textured surfaces.

It was strange to see some of her work in glass cases but I can appreciate that these particular pieces are delicate.

Enjoy this set of photos showing the variety of Hepworth’s work.

If we look at the following set of 5 photos we can see they feature a similar simple circle. The first photo is a close up of the last piece in the set of photos above, then we have a photo of the whole of a different piece of work followed by a close up of it. The final shot looks as if it fits with them but all it is is a shot I took accidentally as I walked through the gallery. I was carrying the phone set on camera mode facing down and inadvertently took a photo of the floor with a circle of an electric socket cover. Strangely in keeping!

We finished our visit by going back outside to look at the rest of the building itself and a few pieces displayed on the grassed areas alongside, including more of the Barbara Hepworth “Family of Man” pieces some of which we had already enjoyed at the sculpture park.

We were also able to view the old mill building, The Calder, which will hold exhibitions in conjunction with the Hepworth Wakefield. These old warehouses present a stark contrast to the modern geometric architecture of the new gallery close by.

So that is two parts of the Yorkshire Sculpture Triangle visited which just leaves the venues in Leeds, The Henry Moore Institute and the Leeds Art Gallery, to discover sometime in the future.

Tags art galleries, Barbara Hepworth, Henry Moore, Hepworth Wakefield Gallery, North of England, outdoor sculpture, sculpture, Wakefield, Yorkshire

landscapes outdoor sculpture Yorkshire

A Week of Culture – Part Three – My Favourites at the YSP

Post author By greenbenchramblings
Post date February 10, 2014
2 Comments on A Week of Culture – Part Three – My Favourites at the YSP

For this third post in the Week of culture I promised to share with you some of my favourite scultptors who have created pieces to display outdoors. Yorkshire Sculpture Park is the ideal setting with its acres of grounds which was an area of parkland associated with a grand house. The sloping hillsides, the lake and woodland areas provide ideal settings for pieces of outdoor sculpture for both pure sculptors and land artists.

On our visit this winter the favourites we enjoyed were Barbara Hepworth, Henry Moore, David Nash and Richard Long.

I shall begin with a piece by Richard Long simply because this is the first time we have ever seen any of his work. Much of his work is based on a line, a walk or circles. He is the best known British land artist famous for his work made while walking. He has been honoured with a CBE for his art, the land art, sculpture, photography and paintings and in 1989 received the Turner Prize. At the sculpture park we had to walk along the shores of the lake through woodlands before we found this piece. The photo was taken on my i Pad so do not do the piece justice. The stone pieces were of red sandstone.

My second artist to feature is David Nash who has a few pieces permanently at Yorkshire Sculpture Park but we have also seen a massive exhibition of hs work here a few year ago after his year as artist in residence there. Both pieces we saw on this visit are in the woodland with one on the banks of the lake on the shore between the wood and the water.

The first of his works we found was entitled “71 Steps” and it climbed a hillside up through the wooded slope. The first few photos are to set the scene.

Close by we spotted these beautiful pieces of wood and tree sculpted by Mother Nature and reflected in the water. They were flowing out into the lake.

The second of the David Nash pieces was closer to the water’s edge between the trees and the biscuit coloured leaves. Just like the steps the wood had been scorched by burning. Sadly the camera on my i Pad couldn’t cope with the contrasts so the beautiful colour of the dried reeds has burnt out.

On a piece of rough ground close to the lake we came across a builder’s store where old bricks and building stones were being kept whilst work was being completed on an old chapel in the grounds. We couldn’t help but wonder what a good land artist would have created using these pieces! Close by mother Nature had created a piece of her own land art based on a fallen tree.

Barbara Hepworth’s work is well represented here at the sculpture park as her pieces called the “Family of Man” are displayed most sympathetically on a sloping piece of sparcely planted woodland. On the way to find these pieces we passed this interesting sign where the face of our Labour Party leader had been added. Similar photos of faces had been pasted to trees but the weather had got the better of these.

I have included some close up photos of a few of the pieces by Barbara Hepworth to show where the hand of the artist has left her marks. I enjoy studying the texture of any piece of sculpture as it can be as important as the overall shape of the work.

The bark of this tree caught my eye as we moved between the Barbara Hepworth pieces. It was the texture that attracted me and the pattern of diamonds sculpted into the bark. Even the carved graffiti seemed to add to the character of the tree, telling a part of its story.

You can see from the photo of Jude below that the weather was not making wandering around the site too easy. The ground beneath our feet was very slippery. This meant that when we came to seek out the work of Henry Moore we found it difficult to get to them as the ground was impossible to walk on due to the steep sloping land where they were situated.

But we can enjoy this one piece.

For part 4 of this week of culture we move on to the Hepworth Wakefield Gallery in the city of Wakefield itself.

Tags Barbara Hepworth, David Nash, garden sculpture, Henry Moore, outdoor sculpture, Richard Long, sculpture, Yorkshire, Yorkshire Sculpture Park

gardens open to the public landscapes outdoor sculpture photography Yorkshire

A Week of Culture – Part 2 – Yorkshire Sculpture Park

Post author By greenbenchramblings
Post date February 8, 2014
4 Comments on A Week of Culture – Part 2 – Yorkshire Sculpture Park

At least once a year we go to the Yorkshire Sculpture Park so it was bound to be one of the venues on our cultural holiday. It is always a cold place and often wet and windy. We were bound to have rough weather as we were visiting in January during a particularly wet, windy winter. Thank goodness for the coffee shop which provided us several opportunities to warm back up. We arrived before it opened and became so absorbed in the special nature of this place that we left as the grounds were closing.

The four featured artists in early 2014 are Angie Lewin, Tom Price, Dennis Oppenheim and Awar Kanwatr, but as always there are resident pieces all around. Most of the pieces are sympathetically displayed around the grounds in the open grassland, under trees, alongside the lake and on grassed slopes. There is also a gallery where work can be displayed. It is a stunning building with galleries that provide beautiful display spaces. The first of the photos below show the building from the front whereas the second shows how it fits into the slope of the garden hidden by its green roof. All the lawn here is in fact the roof of the galleries.

The original red-bricked wall of the walled garden and its bothy are still here providing unusual display spaces. Alongside the wall we found these “sound benches” part of an exhibition of work by Amar Kanwar, a combination of film and installation.

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The Bothy Gallery itself featured some of the work of sculpture Tom Price. Small bronzes are here to enjoy close up and a huge 9 feet tall figure entitled “Network” was to be searched for in the grounds. I found his work fascinating so it was a wonderful experience being so close to his pieces and his subjects are contemporary people worked in the traditional medium of bronze.

We have enjoyed the work of some great artists here in the past, David Nash, Andy Goldsworthy etc and the artist we were primarily focusing on during this visit was Angie Lewin. We usually come here to look at the work of sculptors or land artists but Angie Lewin is an artist and designer who works in watercolours as well as prints using the techniques of a woodcut, lino cut, screen prints and lithography with much of her work being used as book or magazine illustrations. The natural world is her main stimulus especially skeletal seed heads against the sky. I love her work finding it fresh and lively as well as original. Enjoy this little montage of her work.

To be given the opportunity to view her sketchbooks was a delight and I was tempted to purchase a book of her work after seeing so many beautiful pieces.

But of course there was lots more to see, including a few pieces we seek out in the grounds on every visit. Works by Henry Moore, Barbara Hepworth, James Turrell and Antony Gormley.

As we returned to the centre after enjoying our wander around the grounds we discovered another interesting and unexpected piece of work. Every space available is used to provide original and effective display galleries, in this case even a stairway. These little ceramic creatures in a piece called “Infestation” are the work of Anna Collette Hunt and provide great entertainment as you climb the stairs.

This day’s cultural visit was to be the first of two days at Wakefield. The following day we went in search of the Hepworth Wakefield Gallery within the city itself. These two venues are two out of the three that make up the “Yorkshire Sculpture Triangle”. After this cultural holiday we will just have the one of the three corners of the triangles left to see, the city of Leeds. This comprises the Leeds Art Gallery and the Henry Moore Institute. We will soon be planning a few more days away to discover what that venue has to offer. To find out more about the triangle of galleries visit ysculpture.co.uk.

To re-visit the Yorkshire Sculpture Park when I share my favourite sculptors with you see my next blog in the “Week of Culture” series of posts.

Tags Angie Lewin, Barbara Hepworth, David Nash, Henry Moore, Yorkshire, Yorkshire Sculpture Park

architecture gardens gardens open to the public National Trust ornamental trees and shrubs outdoor sculpture recycling The National Trust

A Week of Culture – Part One – Hardwick Hall

Post author By greenbenchramblings
Post date February 6, 2014
4 Comments on A Week of Culture – Part One – Hardwick Hall

We spent a few cold January days up in Derbyshire and Yorkshire for a culture fix. It was extremely cold and occasional rain and hail storms lashed us but we did not give in. We bravely went onward defying whatever the weather threw at us and enjoyed every moment. Day one of our winter adventure found us stopping off in Derbyshire at Hardwick Hall for a spot of architecture appreciation.

Although the day was a memorable one, not all the memories were happy ones as my trusty friend my Nikon DSLR packed up and it did not allow me to focus or use flash so it is now being looked at in the camera hospital at Nikon UK. Fingers crossed for a speedy recovery. Isn’t it devastating when your camera goes awry? So all the pics following are taken on my Samsung Galaxy Phone, which does have a quality camera, thank goodness.

The grounds of Hardwick Hall , now under the auspices of the National Trust, is unusual in having two “big houses”. The newer hall was built in the late 1500’s by Bess of Hardwick, a powerful woman at a time when powerful women were few and far between. She wanted everyone to now how important she was hence the size of Hardwick. She features her initials all over the building including huge letters along the top of the building The letter E refers to her name Elizabeth and the S refers to Shrewsbury. She married George Talbot who was the Earl of Shrewsbury at the time making Bess Countess of Shrewsbury. No-one could have visited this place when she was there without knowing how powerful she was.

From the rear gardens we were able to appreciate close views of the heritage cattle, the Shorthorns.

The gardens are small but the parklands are impressive and extensive. A range of buildings once stable blocks, workers’ cottages and workshops have been lovingly restored and put to good use as holiday cottages, shop, restaurant etc.

Signs of a recent den building activity day for children were in evidence in the grassed area enclosed by the stable block buildings, as were wood sculptures celebrating the skills of the craftsmen who would have helped to maintain the grounds at Hardwick. The carvings were created from trees that had been felled due to disease. Even the tables and chairs in one of the buildings celebrated the work of the estate millers.

We were highly impressed by the “green credentials” of the building revamp and felt it needed celebrating. Well done to the National Trust! As well as excellent insulation there are several innovative ideas in action. Water collected from the roofs is used to flush toilets, solar panels on the roofs pre-heats water to be used in the kitchen, heat generated by the condensers of the fridges and freezers is collected and the boiler is of a bio-mass type.

The more formal gardens are enclosed areas snuggly fitted close to the house surrounded by tall hedges so that each area is a surprise to the visitor. Some beautiful coppicing work in “The Nuttery” was evidence of the skilled gardeners here now. The trees here are Hazels, their prunings providing brash stacks for wildlife shelters.

We discovered some beautifully and skillfully trained and pruned plants, a rose and some Yew which brought a smile to our faces. It was cold day so a smile was most welcome! Just after taking these photos the sky turned black with heavy storm clouds, the temperature dropped, the wind speed increased and we were attacked by a ferocious hail storm. We took shelter in the entrance to the hall where I took these photos some showing the wet glossy paths to illustrate how wet it was.

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After sheltering out the time of the storm we looked for architectural details of the building and discovered these gems.

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So let us have a look at a few shots of the “new” hall before we explore the old hall.

As we approached the old hall, which was the family home of Bess, our first view was in silhouette. As we moved around the building the detail revealed itself.

As we passed through the gateway we came across this piece of stonework. We had no idea what it was but were interested to find another set of Bess’ initials. You can just about see them if you look really carefully.

A close up look around the tall walls of the old hall showed how beautiful it must have been. It had a certain beauty even in decay.

We were drawn to the signs of old plaster work hanging on the inside walls.

Many old windows and doors had been filled in at various times and this resulted in what appeared as framed textured paintings. Beautiful!

As we walked away from the old hall I looked back and took this shot of it as the sky cleared and the sun returned.

As we returned to the car park the sun was setting behind the tall trees alongside the path showing just how long we had been discovering the delights of the old halls at Hardwick. We also came across this stone sculpture based on seeds found in the grounds.

We travelled further North and made our way out of Derbyshire into Yorkshire where we stayed a few days in Wakefield. Here we would experience more of our culture fixes.

Tags Derbyshire, garden photography, Hardwick Hall. architecture, National Trust, outdoor sculpture, sculpture, winter gardens

architecture buildings gardens photography townscapes

The New Birmingham Library

Post author By greenbenchramblings
Post date February 4, 2014
8 Comments on The New Birmingham Library

It has been many months since I last wrote about architecture so I very much hope you enjoy this one. Firstly a few letterbox taster shots.

On Sunday Jude and I plus our two children, Jamie and Jodie, and their respective “other halves”, Sammi and Rob, met up to visit an amazing new building in Birmingham, the new library. We have been watching it under construction for several years as it developed upwards from the place where we used to park the cars when we went to the Symphony Hall. We were full of anticipation as we walked the short distance from the car park. When you have such high expectations of any visit you are fully aware of the likelihood of disappointment. But we were not to be disappointed in the slightest – the library looked amazing from the first glimpse between buildings until we finished exploring outside and in.

The design features based on circles hugged the outside walls and caught the light beautifully. The interplay of shape and light felt so powerful. Our eyes just would not stay still. The reflections that painted the glass a deep blue stood out against the watery blue of the January sky.

The smoothness of the huge sheets of glass at the bottom of the building reflected the surrounding buildings in such clarity.

For such a modern building it sits so happily with its neighbours whatever their ages. This is a sign of quality design. I just love old and new architecture sitting side by side like old friends, looking contented and comfortable.

So far we had only looked at the side of the library so we were looking forward to turning the corner.

We found a revolving door to afford us entrance to explore inside. We were greeted by the warm aroma of coffee beans being ground and water seeping through them. We had to take a seat and give it a taste.

Inside is just as satisfying, everything perfectly designed and sitting comfortably. Everywhere we looked people, mainly students, were studying or browsing the book shelves. Many stared at computer monitors which lined the inside of the windows.

Many of the interior fittings and features are based around circles, such as the lighting fittings and the light tubes. The interior lift to the very top few storeys was a cylinder shape which ran in a long circular tube of glass.

On several levels there was access to the outside onto terraces. These were full of seating built into raised metal planters, featuring interesting plantings and even nest boxes on poles. Here you can gain different views of the building itself and see its structure in detail.

Part way around our tour of the top floor we found this little sculpture in one of the terrace gardens.

From here you also gain close up views of the building itself and get the chance to study the structure itself.

On one level we finished exploring the terraces and went back in a different entrance to discover a room dedicated to the works of one William Shakespeare. A room from the original Birmingham Library had been dismantled and re-assembled in the new building. The intricate detailing included the book shelves, the wooden wall panels and engravings on the door. The books lined the shelves which were full to capacity.

The views over the city were stunning! Not everyone seemed happy getting close enough to the edge to appreciate this though!

Well done to Birmingham! A building to be proud of! We will soon be back.

Tags Birmingham, Birmingham Library, cities, libraries, modern architecture. townscapes

garden design gardening gardens recycling

An Ugly Duckling

Remember the story of “The Ugly Duckling” one of the Hans Christian Andersen Fairy Tales, also a children’s song sung by Danny Kaye? We used to listen to that song on the radio when we were kids growing up in the 50’s on a programme called “Children’s Favourites”. Well, this post reminds me of it!

The least favourite part of our garden which we inherited when we first moved into our Plealey home ten years ago, is the central concrete pathway in the back garden. It consisted of a row of 3 feet by 2 feet concrete slabs with a concrete border each side about 9 inches wide. It looked so ugly, dull and grey!

We decided to take up every other slab and replace them with purple slate. This was hard work as the slabs were 2 inches thick concrete and were very close together making leverage more difficult than we had anticipated. Where there were any spaces between them these had been filled with mortar. So it took a while to lever up each slab with a spade. We then “walked ” them onto a porters trolley to take them away.

We put weed suppressing membrane down and topped it up with a good deep layer of slate.

We have always wanted to get rid of it or at least change its look. We have at last got round to doing it. It was hard work but it gave us something creative to do on a cold day when the ground was too wet to work on.

One of the added bonuses of using any form of slate in the garden is the fact that it features different colours depending on whether it is wet or dry. The slate was wet when we put it down so in the above photos the slate is purple-black in colour and deeply glossy, but when dry it goes much paler almost white with just a hint of grey and is matt in texture.

So, there we have it the ugly duckling of a concrete path – turned into the beautiful swan – the new path of alternating slate and slab. We were pleased that we had managed to do this using recycled or re-used materials. The slabs were obviously our own and the slate came from the waste heaps of the old Welsh slate mines. These come from the waste heaps which until recently had no use whatsoever and they were a blot on the landscape of Snowdonia.

A good days work! An attractive new garden feature, reusing our old slabs and bringing in just one new material and that was a quarrying industry by-product.

Tags garden design, garden paths, garden photography, re-use, recycling, slate, Snowdonia

garden design garden photography garden pools garden seating gardening gardens gardens open to the public grasses hardy perennials light light quality meadows natural pest control ornamental grasses outdoor sculpture trees water in the garden Winter Gardening winter gardens

A Garden in January – Trentham – Part Two

Post author By greenbenchramblings
Post date January 28, 2014
4 Comments on A Garden in January – Trentham – Part Two

Welcome back to Trentham in January where we find ourselves in the part of the garden featuring the Italian Garden re-designed by Tom Stuart-Smith.

From the raised terraces of the Italian Parterre we can see how symmetrical and rigid the structure is. Tom Stuart-Smith has designed a brilliant garden within this structure using grasses and perennials similar to those used by Piet Oudolf. If anything the planting is more varied. The impressive thing about his design is the way soft flowing plant combinations can look so good in a formal setting.

I always particularly like these corner beds with their plantings of low grasses, sedum, phlomis, marjoram and knautia. The little box edging is a most effective foil for the softness of the planting.

Our walk around Tom Stuart-Smiths plantings was interrupted by a shower of freezing rain accompanied by cold winds. We sheltered in the loggia conveniently located nearby. This afforded us a good view over much of this area.

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We managed another five minutes exploration of this garden when the heavens opened once again. Conveniently by this time we were close to the coffee shop which is always our half way stopping point so we retreated to enjoy a welcomed beverage and slice of something sweet. The cafe is housed in a beautifully designed modern building based on a semi-circle. It sits snuggly within a clump of trees. The seating fits all around the floor to ceiling windows giving great views over the Tom S-S gardens.

The wind was moving the grasses around and skewing the water in the fountains. It illustrated how important grasses can be in any garden, as even the slightest breeze sets them waving.

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Within the grasses the seedheads of the perennials were the stars of the show.

The garden team were busy cutting down the perennials in the beds which had been worst effected by the winter weather. If you look carefully you may spot the one gardener’s amusing headgear! When she bent over it looked as if it was Yogi Bear doing the work!

We made a diversion into the area beyond the cafe and tall trees where the show gardens are. We found a few new gardens including a “Stumpery” (a favourite garden feature of Mrs Greenbench) and this row of colourful dogwoods, Cornus Midwinter Fire.

The glass panels in one of the gardens looked brilliant alongside the russet coloured grasses.

Close to the cafe is an area for children’s play with climbing frames, a maze, a bare foot walk, road ways for sit-on toys and these superb sandpits. Because of the poor weather they were sadly deserted today but they are usually very popular. It is so good to see children absorbed in play that does not involve screens or batteries!

As we neared the end of our wander we walked beneath the metal archways of the “Trellis Walk” running alongside the David Roses border. Here there were roses still trying to bloom and others with hips on. The gardens are maintained organically so within these borders we found lovely insect shelters and clumps of Phacelia plants both designed to bring in beneficial insects. Four beautiful relief panels were spread out along the border depicting different garden movements from the past. We could see through the trellis walkway back to the “River of Grasses” and in the ever-darkening late afternoon light the grasses really seemed to glow. We now look forward to re-visiting in February to see what is going on.